Paul Bartel’s 1975 road race movie Death Race 2000 is one of the great exploitation films of all time, a model of how to use the creative freedom of working with limited resources within a marketable genre for the purposes of subversive satire. Produced by Roger Corman, it has a deliciously nasty premise: in the (then) future, the population is kept pacified by gory reality entertainment in the form of a cross-country road race in which drivers receive points for mowing down pedestrians. Bartel and screenwriters Robert Thom and Charles Griffith milk this conceit for all that it’s worth, ramping […]