Lisa Immordino Vreeland’s feature debut, 2011’s Diana Vreeland: The Eye Has to Travel, examined the life and legacy of the legendary fashion photographer. The filmmaker was the granddaughter-in-law of her subject, and the film established Vreeland’s acumen in reconstructing the life stories of complex, powerful women. That applies to her new subject, Peggy Guggenheim, from whose candid memoirs the subtitle Art Addict was drawn. Almost as well known for her numerous relationships, sexual and otherwise, with many of the key creative figures of her time, Guggenheim’s story is reconsidered in this documentary. The film premiered last night at the Tribeca Film Festival; […]