With anti-immigrant sentiment on the rise globally, and with a U.S. president who champions a ban on all Muslims to this country, Andrés Caballero and Sofian Khan’s (IFP-supported) The Interpreters serves as a timely corrective, to say the least. Their up-close-and-personal doc follows three men from Iraq and Afghanistan (and one American sergeant fighting the byzantine U.S. bureaucracy on behalf of his Baghdadi friend) who served U.S. troops as interpreters — not “translators,” since their role as intermediaries went well beyond mere language — as they struggle to keep the faith and avoid death while waiting to gain asylum in […]

The Blessing, the latest from the Emmy Award-winning team of Hunter Robert Baker and Jordan Fein, is the story of a Navajo coal miner and single dad as well as his teenage daughter, who navigate life on their reservation in northern Arizona. Other than Erick Stoll and Chase Whiteside’s stealthy stunner América, I can’t think of another documentary I’ve seen this year in which the simplest of premises yields such an emotional powder keg. The film’s a nearly Shakespearean drama, one in which a deeply religious father is forced to choose between sacrilege (taking part in the destruction of his […]

Laura Green and Anna Moot-Levin’s IFP-supported The Providers is a film I regrettably left off my must-see list at Full Frame, most likely because a doc that follows a doctor, a nurse practitioner and a physician assistant serving rural communities abandoned by our traditional (and traditionally broken) healthcare system sounded like something that might put this liberal urbanite to sleep. But in one of those lucky film fest coincidences, I ended up chatting with the doc’s co-director Laura Green on the ride back to the Raleigh-Durham airport, and mentioned I was returning to Santa Fe. Which is both a drive away […]

If you spent the 2016 election season trying to wrap your head around the surreal circus that passed for political campaigning, just imagine actually participating in it while studying for exams. Such was the situation for the students of Townsend Harris High School in Queens, which since 1996 has included in its curriculum an as-close-to-real-life-as-possible Election Simulation. Fortunately, filmmakers Alexandra Stergiou and Lexi Henigman were there to capture it all. On one side is Russian-American Daniel, aka Trump, trying to focus on making America great again instead of grabbing women by the pussy. On the other, there’s Pakistani-American Misbah, aka […]

As a documentary addict who probably attends more nonfiction festivals than can be considered sane, I’m always on the lookout for reasons why I shouldn’t wait for Netflix. And this year’s 9th edition of DOC NYC (November 8th – 15th) is chockfull of one-of-a-kind events. With that in mind, here are just five of my picks for getting off the couch and into the theater. Documentary Now! Presents Original Cast Album: Co-op Not only are creators Seth Meyers and Rhys Thomas two of the big names expected to attend this Centerpiece Presentation, it’s a world premiere. You’ll be able to […]

There are many reasons filmmakers might choose to self-distribute their documentaries: they may want residuals to come in throughout their careers, as opposed to what might be just a single upfront payment in an all-rights deal; they may feel a responsibility to their audience or subject matter to shepherd the project and not sell it off to a distributor focused on the bottom line; or maybe no one is knocking down their doors to buy your movie. At the recent DOC NYC PRO Distribution Book Camp, four filmmakers who have self-distributed projects (which can mean they are still self-distributing those […]

The past year has proven to be a uniquely rewarding time for David Lynch obsessives, with the Showtime revival of Twin Peaks being the obvious highlight, but also marked by recent Criterion Collection Blu-ray/DVD special editions of Twin Peaks: Fire Walk with Me and the new documentary, David Lynch: the Art Life, focused on Lynch’s painting roots. However, one of the most fascinating Lynch-related features in recent memory has yet to receive the widespread U.S. exposure it richly deserves, and it reflects back to a more traditionally structured Lynch favorite (indeed, still the film that some cite as his key work) that those […]

Opening this edition’s DOC NYC on November 9th is Greg Barker’s The Final Year, a truly up-close-and-personal, behind-the-scenes look at the Obama administration and its foreign policy team during its last 12 months. To say that Barker gained unprecedented access to the president’s men (and one woman) during that period is an understatement. The veteran documentarian (Homegrown: The Counter-Terror Dilemma, Manhunt: The Inside Story of the Hunt for Bin Laden, etc.) managed to shadow three heavyweight insiders — Secretary of State John Kerry, Ambassador to the United Nations Samantha Power, and “Assistant to the President and Deputy National Security Advisor […]

This is the third and final part of coverage of DOC NYC’s Marketing Boot Camp. (Read parts one and two here at the links.) Christie Marchese of Picture Motion, a marketing and advocacy firm for issue-driven films (Leonardo DiCaprio’s Before the Flood, Ava DuVernay’s 13TH, and Michael Moore’s Where to Invade Next), gave a presentation on developing social action and grassroots marketing campaigns. She made the point that grassroots marketing and impact campaigns are two different things: grassroots marketing targets audiences who are pre-disposed to be interested in your film. Impact campaigns are geared toward those who aren’t organically interested. […]

At a DOC NYC panel titled “Out of the Box Funding,” moderator Julia Labassiere (Chief Executive of BAFTA NY) defined the prhase as “anything besides getting a commission (for example, from HBO or National Geographic, etc.).” Marilyn Ness, producer of Cameraperson and Trapped, started the panel off by noting that there are no shortcuts to obtaining so-called “out of the box” money: “It’s a lot of work.” Here are ten tips for how to successfully bring in this type of funding. First Money: Friends, Family and Affinity Groups When you begin a new film, you have to figure out your […]