FIDMarseille
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“The Contingency of the Image Is Its Truth”: McKenzie Wark and Jessica Dunn Rovinelli on Life Story
McKenzie Wark is out in Brooklyn, New York. We’re speaking via video chat in the days leading up to the FIDMarseille premiere of Life Story, her new collaboration with Jessica Dunn Rovinelli. Between questions, and while we wait for Jessica to join us, McKenzie moves around the world just out of frame. She speaks to her daughter, walks into and out of L-Train Vintage, crosses streets, occasionally exchanging greetings with passersby. It is a joy to edit the transcript of this interview later on—sentences are punctuated with “oh hi!”s, “how’ve you been?”s, little subtexts of intimacy smuggled into thoughts about […]
by Frank Falisi on Jul 8, 2024 -
FIDMarseille 2020 (2): Zaho Zay, Forensickness
Each FIDMarseille 2020 movie came with a video introduction from the filmmakers, who were given seemingly complete freedom in deciding how, and at what length, to approach this; eschewing the standard-issue speech-to-webcam, Zaho Zay’s had to be the best one. In a living room, a woman (presumably co-director Maéva Ranaïvojaona) paces along to an audio clip from Where Does Your Hidden Smile Lie? of Jean-Marie Straub ranting about the indissolubility of form and ideology. “Form, form, your infamous form,” he snarls, the woman roughly lip-syncing to a rant she seems to have heard and contemplated many times before. This intro is […]
by Vadim Rizov on Aug 21, 2020 -
FIDMarseille 2020: Night Vision, Shady River, Pajeú
After Visions du Réel, FIDMarseille is the second festival this year I’ve never had a chance to physically attend that I can now at least virtually explore. Compared with VdR’s capacious slate and wide variety of nonfiction approaches, FIDMarseille (now no longer a strictly nonfiction festival) has a reputation for defaulting on the side of formal severity, with zero time for crowd-pleasing softer fare to balance it out. That reputation is in line with what I’ve sampled so far. (Note, too, that there was a physical, in-person edition of FIDMarseille. The United States could never.) I started with Chilean director […]
by Vadim Rizov on Jul 31, 2020 -
Pasolini, Thierry Frémaux’s Requested Cuts and Working with Music: Bertrand Bonello’s Masterclass at FIDMarseille
Bertrand Bonello, cinephile filmmaker, is not one to conceal his references. On War, with Mathieu Amalric in the lead as a director called Bertrand, quotes from Apocalypse Now at length, House of Tolerance transplants Hou Hsiao-Hsien’s Flowers of Shanghai to belle époque Paris and Nocturama concocts a beautiful synthesis of Carpenter and Romero. Yet, as the disparity of these citations indicates, Bonello’s shapeshifting, consistently surprising cinema makes it difficult to pinpoint what might have been his formative influences. Had I been pressed to try, I wouldn’t have come up with Pasolini, so it was a surprise to discover that his […]
by Giovanni Marchini Camia on Jul 25, 2019 -
Medium-Length Highs Over Fragmented Landscapes: FIDMarseille
Diversity’s the aim of every city’s game, but Marseilles really does have everything. Greek in origin, Roman by design, Arabic in flavor, French in architecture and Mediterranean in climate: this encouragingly rough-edged melting pot is an appropriate setting for a film festival like FIDMarseille. Eschewing the standard but arbitrary practice of dividing films based upon format or duration, FID throws all of its selections together: fictional shorts, feature-length documentaries, mid-length essay-films and just about every hybridized bastard form in between. At a time when festivals are increasingly wary of upsetting sponsors and other funding bodies, appealing where they can to […]
by Michael Pattison on Jul 7, 2015
