Here are a few things in my Instapaper this week. In GQ, Mark Harris looks back at “The Day the Movies Died” and the preeminence of easy marketing over original ideas. An excerpt: Such an unrelenting focus on the sell rather than the goods may be why so many of the dispiritingly awful movies that studios throw at us look as if they were planned from the poster backward rather than from the good idea forward. Marketers revere the idea of brands, because a brand means that somebody, somewhere, once bought the thing they’re now trying to sell. YouTube has […]
by Scott Macaulay on Feb 20, 2011Writer/director Jentri Chancey emailed to tell me about her and producer Lorrie Marsh’s approach to developing their independent film project, Lost in Sunshine. She writes: We’ve been continuously working to lift this project from its feet for the past two years. Our approach is to reach out to our (target) audience before the movie’s ever made. And creating an online prequel by expanding narratives, and enhancing audience participation via games, etc., is how we’re attempting to do it. Instead of raising money for actual film production costs right now, we’re raising funds so that we can use fan input, digital […]
by Scott Macaulay on Feb 7, 2011Sometimes you wind up in a place where you do not have something that everyone else has. So it was being a young American producer at the Rotterdam Cinemart Labs, straight off the plane from Sundance. Think: Independent Film Model Congress. I and my fellow American, Billy Mulligan, found ourselves on Day One in a “Speed Dating” scenario, spending five minutes each with our new international producer friends. From this and the subsequent wine-fueled dinner, I understood quickly that for all the different backgrounds and accents (Bosnian-inflected Scotch English being the prize winner in this department), we were all quite […]
by Alicia Van Couvering on Feb 6, 2011Creative Capital, the non-profit funding organization that has supported such recent films as Laura Poitras’s The Oath, Marshall Curry’s If a Tree Falls, and Braden King’s HERE, has announced its new film/video funding cycle. The deadline for letters of inquiry is March 1. From the press release: Creative Capital provides integrated financial and advisory support to artists pursuing innovative and adventurous projects. We support artists whose work is provocative, timely and relevant; who are deeply engaged with their forms, yet also boldly original; who create work that carries the potential to reshape the cultural landscape. To be eligible to apply, […]
by Scott Macaulay on Feb 1, 2011Sorry to all for the week off. A little festival called Sundance was happening, and this column would have been lost in the hustle and bustle. PLUS, I’ve become agoraphobic after editing Orphaned for three weeks straight now. I no longer possess social skills and hygiene. (But the movie looks good so far!) After our second article posted, Blake Eckard contacted me and thought I needed to talk to someone ASAP. It could only be one person, Jon Jost (pictured below). Jon is one of Blake’s favorite film directors and he is a legendary indie filmmaker. It was a no-brainer. […]
by John Yost on Feb 1, 2011Filmmaker Justin Eugene Evans forwarded me news that an extension of Section 181, the film production tax break, was included in the bill signed by President Obama today. Here, reprinted with permission, is an email containing the news. Dear Film Professionals – Section 181 has finally been renewed! The new Tax Bill was signed into law by President Obama earlier today. The tax law includes Section 744, which includes language that replaces IRC Section 181’s expiration date of December 31, 2009 with December 31, 2011. Here is what this means: 1.) Any money spent on qualifying domestic film production* in […]
by Scott Macaulay on Dec 17, 2010As most of you know, I write a weekly newsletter that contains a letter that’s not usually posted on this blog. Sometimes it consists of thoughts that coalesce into an article or blog post down the line, and sometimes it consists of of-the-moment reactions to events just hitting the news. Often the newsletter poses questions that I’d like our readers to comment on. Yesterday I wrote about the newly announced Amazon Studios and solicited feedback. I hope to, in the next few days, write about the provocative new venture, which has good elements (a new financing source for independent filmmakers […]
by Scott Macaulay on Nov 19, 2010Marketing and publicity specialist Sheri Candler has a post up on her blog entitled “Five Ways to Fail at Crowdfunding” that is a good read for those thinking of kickstarting of gogo’ing their indie feature. She opens: I am prompted to write this post because I have been hit up many times lately about supporting, advising or donating to various crowdfunding initiatives. Don’t get me wrong, it isn’t quite a complaint because I have been known to support many campaigns by doing any one of these things (ask anyone else offering their advice if they have done any of these […]
by Scott Macaulay on Oct 12, 2010The bad news regarding state film and television tax credits for films continues. Yesterday, it was reported that Pennsylvania is out of money for new projects applying for their incentive. Now, New Jersey is contemplating halting their incentive for fiscal year 2011, which begins July 1, 2010. Here is a letter I received from Tax Credits LLC. Senator Paul A. Sarlo, Chairman of the Senate Budget and Appropriations Committee, has called a special public Committee hearing to discuss the future of New Jersey’s Film and Digital Media Tax Credit Program. The Hearing will take place on Wednesday, June 9th, from […]
by Scott Macaulay on Jun 4, 2010I discovered a couple of excellent posts at the Coffee and Celluloid blog that will help you if you are contemplating or in the process of a crowdsourced funding campaign through a site like Kickstarter or Indiegogo. Written by Joey Daoud, the posts chronicle his experience researching and enacting a campaign to raise $9,000 for his documentary on high-school combat robots, Bots High. The campaign was successful — he raised $9,100 — but, as always, the devil is in the details. In the first post, “How to Figure the True Cost of a Kickstarter Project,” he breaks down not only […]
by Scott Macaulay on May 23, 2010