David O. Russell makes bipolar disorder, dance competitions and the NFL the stuff of romantic comedy in Silver Linings Playbook, a seriously funny feature with star turns by Bradley Cooper and Jennifer Lawrence. Miguel Arteta interviews writer/director Russell and executive producer/star Cooper.
by Miguel Arteta on Nov 1, 2012This morning, the Gotham Awards nominations were announced (indeed tweeted), and in a very competitive field, Benh Zeitlin’s Beasts of the Southern Wild, Richard Linklater’s Bernie, Ava DuVernay’s Middle of Nowhere and Wes Anderson’s Moonrise Kingdom lead the way, each earning two nominations. Commenting on the nominations, IFP’s executive director Joana Vicente said, “From master film artists to richly talented newcomers, this year’s nominees comprise a diverse group of filmmakers and actors that defines the spectrum of independent film today. In addition to celebrating the work and the community, we also hope that the Gotham Award attention will encourage more […]
by Nick Dawson on Oct 18, 2012Set in and around a children’s summer camp off the coast of New England in 1965, Wes Anderson’s captivating Moonrise Kingdom is a movie about two 12-year-olds, young lovers who escape the adult world of counselors, parents and social workers to find a few magical moments in the film’s eponymous beachside paradise. A movie about childhood, Moonrise Kingdom is also, more importantly, a movie that feels of childhood. With its evocatively off-scale production design, tempered adult performances and moments of playful abandon, Moonrise Kingdom is stuffed with feelings and visions that, no matter what your age, transport you through time […]
by Walter Donohue on Oct 17, 2012What master do you worship? Does your master have a name — God, Yahweh, Allah, Vishnu, Great Spirit, Creator, Father, Mother — or remain nameless? Is He/She/It an abstraction — love, light, power — or have you met? Has your master sat across a table from you and asked you to account for your transgressions? Did you stare your master in the eyes without blinking? The Master, Paul Thomas Anderson’s sixth feature film, is an epic, 70mm story of tiny details that plays out viscerally on the most complicated expanse imaginable: The human face. Freddie Quell (Joaquin Phoenix), a snarling, […]
by James Ponsoldt on Sep 14, 2012Mike Birbiglia’s directorial debut, Sleepwalk with Me, has provided one of the underdog success stories in U.S. indie film this year, so it’s all too fitting that Birbiglia has been chosen to host this year’s IFP Gotham Awards on Monday, November 26, 2012 in New York City. IFP’s Executive Director, Joana Vicente, said of the actor/writer/director’s appointment as the 2012 Gothams emcee, “We are so thrilled that Mike Birbiglia will be hosting the Gotham Awards this year. Coming off an exciting year as a debut director, with a hit film under his belt, Birbiglia’s charm and humor are sure to delight our […]
by Nick Dawson on Sep 12, 2012In Detropia, the new documentary from directing partners Rachel Grady and Heidi Ewing, a gleaming sun rises over a handsome stretch of metal and glass, yet much of the landscape it kisses is neglected, overgrown, and decaying. This is the dichotomous portrait of Detroit delivered by the filmmakers, whose breakthrough film, Jesus Camp, likely rattled your core. With similar attention paid to stirring emotional heft, Grady and Ewing’s latest uncovers the splendor and squalor of a very American metropolis, whose all-time-low state of disrepair is punctuated by glimmers of its former — and, perhaps, future — glory. Painstakingly researching their […]
by R. Kurt Osenlund on Sep 5, 2012Artistry, despair and rage — the New York City of the 1980s and ’90s was defined by its fusion of these elements as artists and activists became frontline soldiers in the fight against the health crisis of AIDS. “Silence = Death” was the slogan of activist group ACT UP, an admonishment to all those who’d deny the severity of the epidemic by not taking a position. And as ACT UP members took direct action against fearful politicians, a generation of artists incorporated the movement’s anger and social critique into their own passionate work. These New York years form the backdrop […]
by Filmmaker Staff on Jul 19, 2012Right now on Kentucker Audley’s No Budge website, it’s Frank V. Ross week. If that name elicits a blank response, it’s not an uncommon reaction. Though Chicago-based Ross is one of the original class of mumblecore directors, he never received the attention that was given to so many of his DIY peers, such as Andrew Bujalski, the Duplass brothers or Joe Swanberg (a fellow Chicagoan with whom Ross has collaborated numerous times). Nevertheless, his recent films Present Company (2008) and Audrey the Trainwreck (2010) have gained him a number of champions within the indie community, and those two films have […]
by Nick Dawson on Jul 11, 2012The self-described “grandmother of performance art,” Marina Abramovic has for almost 40 years been one of the leading lights of a still-marginalized form. Born to ex-partisan parents in 1946, in the early days of Tito’s Yugoslavia, she is the fascinating subject of Matthew Akers’ new documentary, Marina Abramovic: The Artist is Present. Despite her international renown, the Belgrade-born, New York-based Abramovic failed to enter the public consciousness in the States until her blockbuster 2010 MoMA retrospective. Akers’ film is a sinewy tour through Abramovic’s peculiar life and working process as she embarks upon her most high profile performance yet, one […]
by Brandon Harris on Jun 13, 2012Mark Duplass is certainly having a banner year. The independent filmmaker’s work ethic is that of a rabid squirrel, frenetically jumping in between the lanes of acting and directing over the years, without ever getting hit with a dud. Since the 2005 indie hit The Puffy Chair, co-directed with his older brother, Jay, Duplass has managed to position himself in front of the camera as well as behind it. This year he has acted in a string of films: Your Sister’s Sister, Darling Companion, the upcoming People Like Us, and Safety Not Guaranteed, a recent hit on the festival circuit. […]
by Niki Cruz on Jun 6, 2012