In Spring of 1994, as Filmmaker began its third year of publication, we received a call: would we be interested in interviewing Jean-Luc Godard? Yes, we excitedly said, and when Hal Hartley agreed to be the interviewer, and the interview was a go, we made the film our cover. (In Filmmaker’s history, it’s sandwiched between Rose Troche’s Go Fish and Rick Linklater’s Before Sunrise.) Rereading the interview today, I’m struck — although I shouldn’t be! — by the prescience of Godard’s musings on the future histories of cinema, the ways that it will be mediated by technology and its changing […]
by Scott Macaulay on Sep 13, 2022There’s something perverse to the notion that Hal Hartley’s three decades of writing and filmmaking amount to a “career,” as Metrograph would have it in the catalogue copy for its ten-day retrospective of his medium- and feature-length films. Whatever one thinks about Hartley, to say that his work represents a “career” means viewing the films episodically, as evidence of an enterprising filmmaker’s increasing personal ambition and competence. But if I’ve suspected anything from watching and re-watching Hartley’s films—including the shorts, which unfortunately don’t appear anywhere in the Metrograph series—it’s that they can’t so easily be assimilated in this way. I […]
by Ricky D'Ambrose on Jan 22, 2020I interviewed Hal Hartley for Filmmaker‘s 25th anniversary issue this past Fall and am posting this piece online today as Hartley is in the final days of a Kickstarter to fund the release of the very films discussed here. If you’re a fan of this paradigmatic indie director please consider supporting! — SM I catch Hal Hartley — whose third feature, Simple Men, was Filmmaker’s very first cover back in 1992 — as he’s spending the day creating bonus features for new DVD and Blu-ray box sets of the three films in his “Henry Fool Trilogy.” As international distribution licenses […]
by Scott Macaulay on Sep 14, 2017When Hal Hartley arrived on the American filmmaking scene in the late 80s and early 90s, “indie film” wasn’t yet hardened into a niche or a brand. Possibilities seemed endless. Hartley’s debut feature The Unbelievable Truth, starring the late Adrienne Shelly, filtered humor and attitude through an unexpected rigor and formal seriousness. Like other early nineties filmmakers who have remained significant over the subsequent quarter-century (Haynes, Van Sant, Solondz), Hartley’s cinema has balanced a sense of specificity of place – many of Hartley’s films are rooted in the five boroughs, Long Island in particular – with international film culture and […]
by Michael Sicinski on Mar 31, 2015Here’s the first trailer for Ned Rifle, the third part of Hal Hartley’s “Henry Fool” trilogy, which began with the titular 1998 film and continued with 2007’s Fay Grim. The trailer’s wordless for a good chunk, but when we finally hear words, we know exactly what’s going on: Henry (Thomas Jay Ryan) and Fay (Parker Posey)’s son Ned (Liam Aiken) is going to find his dad and kill him. This capstone film — “probably” the final installment, the Kickstarter hedged its bets — was posted in advance of the film’s premiere at the Toronto International Film Festival later this year. […]
by Vadim Rizov on Jul 22, 2014“What is my America?” That was the question asked 50 playwrights by Centerstage, which celebrated its 50th anniversary last year. Their answers were filmed by Hal Hartley, who is exclusively debuting the resulting feature documentary, My America, on Fandor for its SVOD premiere beginning July 4. From Centerstage: Filmed by Possible Films, led by award-winning director Hal Hartley, these 50 monologues by writers including Anna Deavere Smith, Neil LaBute, Christopher Durang, and Lynn Nottage explore our particular American moment—the ideas and people that make the country what it is today. The responses, ranging from the political to the personal, form […]
by Scott Macaulay on Jun 19, 2014Please see important update at the bottom of this post. Plenty of tech vendors use Kickstarter as a pre-sale market, so why not filmmakers? In a letter to backers of his film Ned Rifle — reprinted here with permission — director Hal Hartley announces the inclusion of territorial theatrical rights as Kickstarter rewards. Pledge $3,000 and take Hungary. $5,000 gets you Finland. And a cool $9,000 gets you Spanish-speaking Latin America. Of course, these numbers are for theatrical only. Hartley is retaining home video and electronic distribution. But, as he notes in his letter, the asking prices are low, enabling […]
by Scott Macaulay on Nov 25, 2013Martin Donovan is destined to be forever remembered for his remarkable actor-director partnership with Hal Hartley during indie film’s halcyon days of the early to mid 1990s. In era-defining movies such as Trust, Simple Men and Amateur, Donovan was Hartley’s on-screen simulacrum, a smart, softly spoken man who was simultaneously familiar and enigmatic. While Hartley’s work is sadly not nearly as popular or present as it once was, it’s fitting that Donovan has made his debut feature as a writer and director with Collaborator, a knowing and witty cinematic chamber piece that feels nostalgic for the more culturally sophisticated times […]
by Nick Dawson on Jul 10, 2012Martin Donovan’s directorial debut, Collaborator, returns to the IFC Center tomorrow for a week-long run before opening Los Angeles on the 20th. It’s also available now on VOD. Here, from the June 18 IFC Center screening is the Q&A with director Hal Hartley interviewing Donovan along with executive producer Ted Hope and actors David Morse and Melissa Auf der Meur. (Hat tip: Truly Free Film.)
by Scott Macaulay on Jul 5, 2012Okay, first the exciting news: Hal Hartley has made a new film! What’s the “but”? Well, it’s not ready quite yet. It’s in post, though, so it’s close. To help it get to the finish line, Hartley has launched a Kickstarter campaign for its final post-production. He’s also appealingly pitched his campaign as a “DVD Collector’s Edition Pre-Buy.” For $25 you’ll receive this limited edition when the film is finished. And there are other rewards too. For example, for $1,000 you can be a co-producer. That’s right, a grand gets you a very nice IMDb credit. Here’s what Hartley writes […]
by Scott Macaulay on Nov 2, 2011