Indie Memphis Film Festival
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5 Questions for Indie Memphis’s New Executive Director Kimel Fryer
The 2022 edition of the Indie Memphis Film Festival kicks off this Wednesday, October 19, with a robust lineup that features buzzy festival titles, local gems and an exciting assortment of repertory programming. More specifically, the opening night film is Phil Bertelsen’s The Picture Taker, serving as the centerpiece selection is Indie Memphis alum Elegance Bratton’s The Inspection and closing out this year’s fest is Elvis Mitchell’s documentary Is That Black Enough For You??? Other program highlights are Alice Diop‘s recently-added Saint Omer, Nikyatu Jusu‘s Nanny (featured in our Fall 2022 Issue, along with fellow Indie Memphis selections Aftersun and […]
by Natalia Keogan on Oct 18, 2022 -
Homecoming Attitude: Wrapping the 2019 Indie Memphis Film Festival
Last year, after my first Indie Memphis, I penned my love letter to the city and the film festival with a scene from Jim Jarmusch’s own Memphian billet-doux, 1989’s Mystery Train. This year, as if to one-up the experience, the film was programmed during its week-long run (Oct. 30–Nov. 4) with Jarmusch himself present for a Q&A afterwards, in celebration of the film’s 30th anniversary. I don’t have personal ties to Memphis, but neither did Jarmusch when he made Mystery Train, yet the city has a way of touching you deeply; after the screening, the director, now 66, beautifully articulated […]
by Kristen Yoonsoo Kim on Nov 11, 2019 -
Indie Memphis: Not Just an Inclusion Rider
In Jim Jarmusch’s 1989 Mystery Train, two rock ‘n’ roll-loving Japanese teenagers arrive in Memphis, Tennessee, and make their way over to Sun Studio, the legendary recording studio once the stomping grounds for the likes of Johnny Cash, Carl Perkins, Jerry Lee Lewis, and, of course, Elvis Presley, who recorded his first song there at the age of 18. In part because of the faint replay of this scene that had lingered in my head for some years, I’ve long wanted to take the Sun tour, one of my many Memphis to-dos, which also included a bunch of famous barbecue […]
by Kristen Yoonsoo Kim on Nov 14, 2018 -
Religious Fervor and Precarious Times: The 2016 Indie Memphis Film Festival
I arrived in Memphis a week ago, but it feels like longer. It was a balmy evening like the last breath of summer, and I hadn’t yet met the full realization that Trump could become the President-elect in a matter of days. Making my way back from the opening night screening of The Invaders, a Memphis-produced documentary chronicling the local militant group’s role in the 1968 sanitation workers’ strike and their meeting with Martin Luther King, Jr. right before his assassination, I walked the empty blocks with a homeless vet and long-ago college football star who foreboded the results of […]
by Whitney Mallett on Nov 10, 2016 -
The Indie Memphis Film Festival Unveils Film Slate for 19th Edition
The Indie Memphis Film Festival has announced the full slate of films for the 19th edition of the film festival, which runs from November 1-7. Prichard Smith’s documentary The Invaders will open the festival and Stephen John Ross’s documentary Kallen Esperian: Vissi D’Arte is the Closing Night title. World Premieres include Mike McCarthy’s Destroy Memphis, Kathy Lofton’s I Am A Caregiver, Madsen Minax’s Kairos Dirt & The Errant Vacuum, Flo Gibb’s Mentality: Girls Like Us, and Lakethen Mason’s Verge, with Jennifer Anderson and Vernon Lott’s The Act of Becoming making its U.S. Premiere. Festival favorites include Sophia Takal’s Always Shine, Kirsten Johnson’s Cameraperson, Ira Sachs’ Little Men, David Farrier and […]
by Paula Bernstein on Sep 27, 2016 -
On the Southern Circuit During the Season of Republican Resurgence: Hot Springs, Savannah, Memphis & Key West
I first heard the term “southern circuit” while talking to former New York Times film critic, The Treatment radio host and venerated international playboy Elvis Mitchell. Over lunch in Krakow several years ago, he described the series of spring and fall film festivals throughout the American south. After a relatively quiet summer, come late August a festival seems to unfurl almost every week somewhere below the Mason-Dixon line, starting with the Sidewalk Moving Pictures Festival in Birmingham, Alabama. While high-profile southern fests such as SXSW, Atlanta, Oxford, Little Rock and Nashville take place during the spring, an even larger share […]
by Brandon Harris on Dec 9, 2014
