Interactive
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The Interactive Mic: Etienne Paquette & Alexandre Lupien on Mégaphone
Mégaphone, an interactive project currently running in Montreal, is designed for a world that’s forgetting that the word social doesn’t necessarily have to precede media. The project seeks to remove the fiber optic interface that currently connects so many of us and move public discourse back into a public space–that is, somewhere outdoors with plenty of foot traffic. Thus it’s built around a pre-Industrial Era public speaking model like Hyde Park’s Speaker’s Corner in London: anyone can take to the mic to discuss any topic they like (though there is an MC and suggested time slots for certain subjects to […]
by Randy Astle on Oct 4, 2013 -
Elaine McMillion and Jeff Soyk on Hollow
Elaine McMillion, one of Filmmaker‘s 25 New Faces of Independent Film for 2013, has been keeping busy since launching her interactive doc Hollow, about life in the hard-hit county of McDowell in south-western West Virginia, in June at http://hollowdocumentary.com. It immediately earned praise and a sizeable audience; she’s since presented for events and organizations like StoryCode and Independent Film Week, and Hollow continues racking up the positive reviews. The project includes an html5 site with dozens of short videos, photographs, text, user-generated content on Instagram, and content such as videos produced by the film’s subjects, many of whom the Hollow […]
by Randy Astle on Sep 26, 2013 -
Jake Price on Unknown Spring and Documenting the Japanese Tsunami
Jake Price may primarily be known as a photojournalist, working for outlets like the BBC and the New York Times. But with his latest project, Unknown Spring, he’s strengthening a new identity as an immersive, interactive documentary filmmaker. As his thoughts below illustrate, however, he sees photojournalism, traditional film, and online interactive media all as an extension of nonfiction storytelling–different tools to explore In March 2011 he journeyed to the Tohoku region of Japan to document the devastation left in the wake of the Pacific tsunami. That project eventually became an html5 website featuring photographs, audio recordings, full-motion video, and […]
by Randy Astle on Aug 22, 2013 -
What Indie Filmmakers Need to Know About Mobile Video Viewing
As of January 2013, comScore reports that 129.4 million people in the U.S. owned smartphones, accounting for more than half (55%) of mobile devices. A recent study by Harris Interactive for Telly, a social networking video service, conducted with 2,000 smartphone users projects that 78 million mobile device owners watch videos on their smartphones. One of the study’s surprise findings is that Apple’s iOS devices do not dominate the mobile video viewing market. Rather, Android devices are viewed by nearly one-half (46%), while Apple captured only a little more then a third (36%) while a little more than a tenth […]
by David Rosen on May 31, 2013 -
What Does Xbox One Mean for Independent Filmmakers?
Right now the answer is not entirely clear. The Xbox One, which was unveiled in a presentation last week, represents Microsoft’s latest bid for domination of the living room through a single multipurpose device. It’s not a complete reinvention of the Xbox brand, but it integrates and advances several technologies Microsoft has been working on over the years. Microsoft’s accompanying efforts to expand away from hardcore gaming into other areas of entertainment such as streaming video make it a viable contender to the PS4, Apple TV, and other devices/platforms. Here’s the video of the device’s entire reveal. The discussion of […]
by Randy Astle on May 30, 2013 -
The New Digital Storytelling Series: Caspar Sonnen
For the final installment of Filmmaker and the MIT Open Documentary Lab’s interview project with the foremost thinkers on transmedia, IDFA DocLab’s Caspar Sonnen answers our questions. Sonnen is the new media coordinator for the International Documentary Film Festival Amsterdam (IDFA) and curator of the festival’s IDFA DocLab, a competition program for new forms of documentary and interactive storytelling. In 2008, Sonnen founded IDFA DocLab to create a platform for interactive and multimedia documentary storytelling that expands the genre beyond traditional cinema. Besides his work at IDFA, he is co-founder and programmer of the Open Air Film Festival Amsterdam. For an […]
by MIT Open Documentary Lab on May 24, 2013 -
The New Digital Storytelling Series: D. Fox Harrell
In the penultimate part of Filmmaker and the MIT Open Documentary Lab’s interview project with prominent transmedia figures, D. Fox Harrell, Ph.D., Associate Professor of Digital Media in the Comparative Media Studies Program and the Computer Science and Artificial Intelligence Laboratory at MIT, answers our questions. Harrell’s research explores the relationship between imaginative cognition and computation. He develops new forms of social media, gaming, computational narrative, and related computational media systems based in computer science, cognitive science, and digital media arts. The National Science Foundation has recognized Harrell with an NSF CAREER Award for his project “Computing for Advanced Identity Representation.” He has worked […]
by MIT Open Documentary Lab on May 16, 2013 -
The New Digital Storytelling Series: Katerina Cizek
In the tenth part of Filmmaker‘s interview project with prominent figures from the world of transmedia, conducted through the MIT Open Documentary Lab, Katerina Cizek gives her take on the way digital technology is shaping contemporary storytelling. Cizek is currently the director of the NFB’s HIGHRISE project, exploring new forms and new approaches to content. HIGHRISE is a multi-year, many media series of projects. You can see it at highrise.nfb.ca and her previous project Filmmaker-in-Residence at filmmaker.nfb.ca. For an introduction to this entire series, and links to all the installments so far, check out “Should Filmmakers Learn to Code,” by MIT […]
by MIT Open Documentary Lab on May 9, 2013 -
Beyond: Two Souls at the Tribeca Film Festival
The distance between video games and cinema has been shrinking for years. Nowhere was this more obvious than in the presentation of Beyond: Two Souls last Saturday during the Tribeca Film Festival’s closing weekend, an event billed as the first time a video game has ever been shown in a film festival. Certainly in the packed SVA theater, past the red carpet for actors like Elliot Page and after the enthusiastic introduction by Tribeca’s Chief Creative Officer Geoffrey Gilmore, it felt like a convergence of the two media that we haven’t seen before. This isn’t a game based on a […]
by Randy Astle on May 2, 2013 -
The New Digital Storytelling Series: Vivek Bald
In the eighth part of Filmmaker‘s interview project with prominent figures from the world of transmedia, conducted through the MIT Open Documentary Lab, Vivek Bald, filmmaker, Associate Professor of Writing and Digital Media at MIT and a member of the MIT Open Documentary Lab, answers our questions. Bald’s ongoing project, Bengali Harlem, documents the history of two little-known groups of South Asian immigrants. For an introduction to this entire series, and links to all the installments so far, check out “Should Filmmakers Learn to Code,” by MIT Open Documentary Lab’s Sarah Wolozin. MIT Open Documentary Lab: How did you become a digital storyteller? Were there […]
by MIT Open Documentary Lab on Apr 25, 2013
