Iranian cinema
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Dreams Deferred: How Iranian Filmmakers Pursue Liberation Under Unbearable Constraints
The people of Iran find themselves suspended in a historical moment of great uncertainty. On December 28, 2025, in the midst of a major economic crisis exacerbated in part by U.S. sanctions, shopkeepers and vendors in several commercial centers throughout the country went on strike. The protests grew larger in number, culminating in early January as Iran’s largest uprising since the 1979 Revolution. The Islamic Republic of Iran (IRI) responded by imposing an internet blackout to facilitate the indiscriminate murder of protesters and civilians alike. Thousands were killed in the largest massacre in the nation’s history, and the periodic protests […]
by Nick Kouhi on Apr 2, 2026 -
U.S. DIRECTORS CALL FOR JAFAR PANAHI’S RELEASE
A powerful statement from U.S. directors calling for the release of director Jafar Panahi from prison in Iran has been issued. I’ll let the petition speak for itself, but kudos to the organizers for taking action and assembling this illustrious group. New York, NY (April 30, 2010) – Jafar Panahi, an internationally acclaimed Iranian director of such award-winning films as The White Balloon, The Circle, Crimson Gold and Offside, was arrested at his home on March 1st and has been held since in Tehran’s notorious Evin prison. A number of filmmaking luminaries have come to Mr. Panahi’s defense and “condemn […]
by Scott Macaulay on May 1, 2010 -
BAHMAN GHOBADI ON IMPROVISATION, “PERSIAN CATS,” AND KIAROSTAMI
I caught Bahman Ghobadi’s No One Knows about Persian Cats, opening tomorrow at the IFC Center, when it screened at the Doha Tribeca Film Festival. In the magazine, I wrote the following: The story told by the Iranian Kurdish filmmaker Bahman Ghobadi’s No One Knows about Persian Cats would have fit comfortably into an afternoon of mumblecore films at SXSW. A young couple tries to form a band and score an out-of-town gig. Because it’s set in Iran, however, the band is outlawed, money must be scraped together for the expensive exit visa, and the female musician is not even […]
by Scott Macaulay on Apr 15, 2010
