Jane Campion
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On the Journey: The Power of the Dog Producer Tanya Seghatchian
As a young woman, Tanya Seghatchian remembers laughing, crying and suffocating through Jane Campion’s early work, a cinematic compass she had internalized by the time she began her first job for the BBC—researching a two-part TV documentary about John Ford, pioneer of the American western. Over the years, Seghatchian’s trajectory expanded across genres and scales, from coproducing the first two Harry Potter films and executive producing more than 20 episodes of The Crown to producing Pawel Pawlikowski’s My Summer of Love and Cold War, the latter of which was nominated for three Academy Awards, including Best Foreign Language Film, in […]
by Taylor Hess on Jan 18, 2022 -
Watch: David Ehrlich’s 25 Best Films of 2021
Indiewire critic David Ehrlich is back with what is always the most beautifully realized and most pleasurable to take in “best films of the year” list — his annual video countdown of the year’s best cinema. As always, much of the joy comes from Ehrlich’s unexpected editorial rhythms, ingenious match cuts and savvy music choices, drawn from the year’s films, which here range from the Sparks’s Annette score to Louis Armstrong. Last year, in order to justify the huge amount of time it takes Ehrlich to make these videos, he decided to urge viewers to support a charity chosen by […]
by Scott Macaulay on Jan 10, 2022 -
“The Best Way to Fight the Sun is With the Sun”: DP Ari Wegner on The Power of the Dog
In The Power of the Dog, a Montana rancher (Benedict Cumberbatch) who compensates for his repressed desires with hypermasculine cruelty has his isolated domain punctured by the arrival of his brother’s new wife (Kirsten Dunst) and her son (Kodi Smit-McPhee). Based on Thomas Savage’s 1920s-set novel, the film is director Jane Campion’s first feature in 12 years. As a condition of shooting Campion’s welcome return, cinematographer Ari Wegner committed to a full year of prep with the director. They spent weeks on location on the remote South Island of New Zealand, getting to know the light during the season in […]
by Matt Mulcahey on Dec 21, 2021 -
Jane Campion to Receive Director’s Tribute at the 2021 Gotham Awards
Jane Campion, whose The Power of the Dog is one of the major fall releases, will receive the Director’s Tribute at the 2021 Gotham Awards, The Gotham Film & Media Institute announced today. The first female director to win a Palme d’Or, for her third feature, The Piano, Campion’s films include Sweetie, An Angel at My Table, The Portrait of a Lady, Holy Smoke, In the Cut and Bright Star. She also co-wrote, co-directed and executive produced the two season television mini-series Top of the Lake. Jeffrey Sharp, Executive Director of The Gotham Film & Media Institute, said in a […]
by Filmmaker Staff on Oct 20, 2021 -
Cannes Day 9: France Responds to Welcome To New York, Ukraine & Azerbaijan Unite
News items of interest as the Cannes Film Festival rolls through its ninth day: • At The Conversation, Sue Harris has an overview of the furious reception Abel Ferrara’s Welcome To New York has received in France. As she points out, the casting of Gérard Depardieu is far from incidental: Depardieu’s casting breaches the fictional veneer of Ferrara’s film in ways that no other actor could. No one could be more suited to play the nation’s premier “disgraced” Frenchmen than the other principle one. And so, thanks to a volatile mix of the real and the imagined – a heady […]
by Vadim Rizov on May 22, 2014 -
The Cannes Film Festival Announces Its Jury
With less than a month before the Cannes Film Festival starts up, the jury lineup has been fully unveiled. As announced in January, the jury president will be New Zealand director Jane Campion (Top Of The Lake, The Piano). Now her fellow jurors have been named: • Carole Bouquet, the veteran French actress who made her debut in Luis Buñuel’s That Obscure Object Of Desire • Sofia Coppola, whose The Bling Ring was the divisive opening film of the festival’s 2012 Un Certain Regard slate • Leila Hatami, the Iranian actress best known internationally as the star of Asghar Farhadi’s […]
by Vadim Rizov on Apr 28, 2014 -
Sleeping Beauty Writer/Director Julia Leigh
When Filmmaker chose Australian novelist Julia Leigh for our 25 New Faces list of 2008, the author of such books as The Hunter and Disquiet was teaching at Barnard while establishing herself as a screenwriter of provocative, nuanced dramas for directors like Walter Salles and production companies like Plan B. She said when I interviewed her that screenplay writing was originally a form of “diversion therapy” while working on Disquiet, but that she grew to appreciate the form. “I actually find scripts hard to read — ugly,” she said in 2008. “I got my head around the very basic conventions […]
by Scott Macaulay on Nov 30, 2011 -
JANE CAMPION’S BRIGHT STAR |
By Livia Bloom
Leading up to the Oscars on March 7, we will be highlighting the nominated films that have appeared in the magazine or on the Website in the last year. Livia Bloom interviewed Bright Star writer-director Jane Campion for our ’09 Toronto Film Festival coverage. Bright Star is nominated for Best Costume Design (Janet Patterson). Chaste is not a word often associated with the films of Jane Campion. From the boudoirs of The Portrait of a Lady to the rough frontier bedrooms of The Piano (1993), Campion is known for her steamy, sultry visions of intimacy. But in her latest film, […]
by Jason Guerrasio on Feb 11, 2010 -
Jane Campion’s Bright Star
Chaste is not a word often associated with the films of Jane Campion. From the boudoirs of The Portrait of a Lady to the rough frontier bedrooms of The Piano (1993), Campion is known for her steamy, sultry visions of intimacy. But in her latest film, Bright Star, the only female filmmaker to win the Palme d’Or puts the gloves on, telling the tale of British poet John Keats and his love, Fanny Brawne, with modesty and restraint. Keats died at the age of 25, before he could find the critical and financial success to wed his beloved. Yet Brawne, […]
by Livia Bloom Ingram on Sep 11, 2009 -
EIGHT IS ENOUGH
Via press release we learned of producer Effie T. Brown’s ambitious new production and development slate — eight pictures ranging from a horror movie with a black cast to a couple of period dramas. She also announced that her production company, Duly Noted, has a first-look deal with HBO’s Original Programming Department. Brown, who received the IFP Producing Spirit Award three years ago, has been a producer on several HBO movies, including Real Women Have Curves, and The Stranger Inside, and she was also Executive Producer of Jane Campion’s hugely underrated In the Cut, which is on cable a lot […]
by Scott Macaulay on Jan 5, 2005
