Janet Pierson
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SXSW Film & TV Festival Director Janet Pierson Becomes Director Emeritus, Claudette Godfrey Promoted to Director
Today, the South by Southwest (SXSW) Conference and Festivals announced that Janet Pierson, long-time VP, Director of the SXSW Film & TV Festival will shift to the role of Director Emeritus. Film Festival Programming Director Claudette Godfrey will now assume leadership of the SXSW Film & TV Festival. The 2022 edition of the SXSW Film & TV Festival marked Pierson’s 15th year as Festival Director. Her 45-year career has included various roles in the independent film landscape, notably as exhibitor, producer’s rep, executive producer and segment producer and segment director of IFC-Criterion’s Split Screen. According to a press release announcing […]
by Natalia Keogan on Oct 5, 2022 -
“Changing the Industry Game”: Queen Sugar Showrunner and Directors Talk Career Advancement at IFP Week
Filmmaker Elisabeth Subrin (A Woman, A Part) sends this short dispatch from IFP Week’s Screen Forward Talks: Notes to the Future Sunday program — specifically, the afternoon panel, “Through the Generations: Queen Sugar: Ava DuVernay and Oprah Winfrey’s Queen Sugar.” The panel featured IFP alums Kat Candler (Hellion), Julie Dash (Daughters of the Dust), DeMane Davis (Lift), Lauren Wolkstein (The Strange Ones). Beyond the brilliance of the series itself, Ava Duvernay’s production model for Queen Sugar, a cable series on the Oprah Winfrey Network, is visionary and proactive. By choosing to hire only women independent film directors who have never […]
by Elisabeth Subrin on Sep 19, 2018 -
IFP Screen Forward: 5 Questions for SXSW Film Director Janet Pierson
As Head of SXSW Film Janet Pierson relates below, her Austin-based festival has, for several years, showcased the work of television creators alongside works by feature filmmakers. For SXSW, throwing television into the mix is not so unnatural — the festival is a sprawling behemoth with not only music and film but interactive, gaming and sports. But other festivals, like Tribeca and Toronto, have jumped into the mix too, and some critics — like producer Mike Ryan in a recent Filmmaker article — have been calling for film festivals to focus on cinema and forgo small-screen work that is hardly […]
by Scott Macaulay on Sep 23, 2015 -
Manohla Dargis to Indie Distributors: Be More Discriminating
In advance of Sundance, the unofficial birthplace of the annual independent film calendar, Manohla Dargis has something to ask of the attending distributors: “stop buying so many movies.” Or at least, stop offering so many theatrical deals. “It’s hard to see how American independent cinema can sustain itself if it continues to focus on consumption rather than curation,” she writes. “There are, bluntly, too many lackluster, forgettable and just plain bad movies pouring into theaters, distracting the entertainment media and, more important, overwhelming the audience.” Her claim comes from a kind-hearted place. She ventures that the wonderfully singular Computer Chess could […]
by Sarah Salovaara on Jan 9, 2014 -
Janet Pierson on the Films — and Crowds — of SXSW
Six weeks before the festival, every hotel room in downtown Austin was booked solid. Badges were already selling out a month prior, and, in the last few weeks, LAX-AUS flights have become almost impossible to come by. Last year the festival was, by all accounts, over-crowded — press and industry felt needlessly constrained by the impossibility of special access to screenings, and complaints of line cutting were all over Twitter. Pierson and her staff took all of these criticisms hard. In the wake of the grumblings, there are new and bigger theatres (the renovated State Theatre, next to the Paramount; […]
by Alicia Van Couvering on Mar 9, 2011 -
“WAR DON DON” AT STRANGER THAN FICTION
While introducing War Don Don at last night’s Stranger Than Fiction, SXSW programmer Janet Pierson said that while many great documentaries were submitted to last year’s festival, there were few with the “clarity” of Rebecca Richman Cohen’s directorial debut. It was a sentiment later echoed by Raphaela Neihausen, the executive director of Stranger than Fiction who praised Richman Cohen for her ability to “break down a complex issue” but still keep the “nuance.” Three years in the making, War Don Don follows the UN Special trial of Issa Sesay, one of the leaders of the RUF, an incredibly violent rebel […]
by Mary Anderson Casavant on Nov 10, 2010
