Winner of the World Cinema Dramatic Prize at Sundance this year, the trailer arrives for Scrapper, the feature debut from British writer-director Charlotte Regan. The film will hit U.S. theaters—including New York City’s IFC Center—via Kino Lorber on August 25. An official synopsis reads: This vibrant and inventive father-daughter comedy follows Georgie (Lola Campbell), a resourceful 12-year-old girl who secretly lives alone in her flat in a working class suburb of London following the death of her mother. She makes money stealing bikes with her best friend Ali (Alin Uzun) and keeps the social workers off her back by pretending […]
by Filmmaker Staff on Jun 29, 2023Almost exactly a year after it made its world premiere as the Opening Film of the 2022 Cannes Directors’ Fortnight, the trailer arrives for Italian director Pietro Marcello’s Scarlet (L’Envol). Marcello’s French-language debut follows his previous effort Martin Eden, which made waves on the festival circuit in 2020 (despite the pandemic). Kino Lorber will release Scarlet in New York theaters next month. An official synopsis reads: Shortly after World War I, veteran Raphaël (Raphaël Thiéry) returns home from the frontlines to find himself a widower, and father to an infant daughter. Raised by her father in rural Normandy, the child […]
by Filmmaker Staff on May 8, 2023Watch the trailer for photographer-turned-filmmaker Alejandro Loayza Grisi‘s Utama ahead of the film’s theatrical release via Kino Lorber in New York and Los Angeles next month. The film, which won the Grand Jury Prize (World Cinema Dramatic) after screening at the this year’s Sundance Film Festival, is also Bolivia’s official Oscar submission for Best International Film. Outside of Sundance, the film has garnered wider recognition after going on to receive awards at various international festivals, among them the Grand Prize for Best Film at Transilvania, Best Ibero-American Film, Jury Prize, Best Director, and Best Original Music at Malaga and Best […]
by Filmmaker Staff on Oct 20, 2022Independent filmmaker Nina Menkes (Queen of Diamonds, The Bloody Child, Phantom Love) returns with Brainwashed: Sex-Camera-Power, a documentary that uses clips from hundreds of films to demonstrate the pervasiveness of the male gaze in the dominant cinematic canon—and the real-world misogyny that Menkes believes these depictions abet. Originally conceived as a presentation that the filmmaker gave at film festivals or as stand-alone talks, the documentary takes images from films like Vertigo, Once Upon a Time…in Hollywood and Titane in order to make its argument. The film also features an array of prominent women and non-binary industry figures speaking to the […]
by Filmmaker Staff on Sep 26, 2022Any director whose bio includes being fired from “an animated children’s film for Miramax titled The Great North Pole Elf Strike for portraying Santa’s elves as gay” is my kind of filmmaker. And Juliet Bashore, of the aforementioned dismissal, also has the added distinction of being the force behind the prescient time capsule of the pre-gentrified San Francisco sex industry, Kamikaze Hearts (1986). That “fictionalized documentary” (“hybrid” was a term yet to be coined) depicted the doomed relationship between lovestruck Tigr (also a producer on the film) and the object of her adoration, gender fluid “(nonbinary” was likewise not yet […]
by Lauren Wissot on May 9, 2022While independent films have struggled to thrive in our long COVID marketplace, there is one silver lining in the digital distribution universe: Indie films, both familiar and obscure, from five, 10 and even 20 years ago are flourishing with an uptick in video-on-demand sales. “It’s no secret that library titles have been performing very well across the board,” says IFC Films President Arianna Bocco, “and that’s directly a result of the pandemic.” Across the entire entertainment industry, spending on library titles has been “notably strong,” according to an August 2021 report from home entertainment trade association DEG (Digital Entertainment Group), […]
by Anthony Kaufman on Jan 18, 2022In June Dedza Films and Kino Lorber announced their first collaborative release, an anthology picture, Who Will Start Another Fire, containing nine independent short films by young emerging filmmakers hailing from underrepresented communities. Dedza’s first curatorial and distribution project, the film has already been released through Kino Lorber’s virtual cinema platform, playing day-and-date on TVOD and in select arthouse theaters. And this week there’s physical media: a DVD that features an introduction by Charles Burnett. All told, it’s a robust roll-out that augurs well for the vitality of this new voice in discovery and distribution. The filmmakers included in the […]
by Scott Macaulay on Aug 10, 2021Filmmaker/video artist/photographer/performance artist/writer/professor Michelle Handelman is a 2011 Guggenheim fellow and 2019 Creative Capital awardee whose work is featured in collections from Napa, California to Paris to Moscow. But back in the early 90s Handelman was simply an explorer with a video camera, diving headlong into a San Francisco Leatherdyke scene that would pave the way for today’s gender nonconformity movement as we know it. Her resulting film, 1995’s BloodSisters: Leather, Dykes And Sadomasochism – just rereleased last month with bonus extras by Kino Lorber – is an artistic amalgam both of its time and surprisingly timely. Scenes from leather […]
by Lauren Wissot on Jul 21, 2021One of the best American films of recent years drops on HBOMax (and on big screens where theatres are open) today with the release of director Shaka King’s mesmerizing Judas and the Black Messiah, a film about slain Black Panther leader Fred Hampton that skillfully avoids bio-pic cliches with its sophisticated dual narrative and arresting ’70s crime flick style. Daniel Kaluuya is the best he’s ever been in a performance that forcefully conveys Hampton’s iconic power and humanizes him at the same time; costar Lakeith Stanfield is equally strong as William O’Neal, an FBI informant who sells out Hampton and […]
by Jim Hemphill on Feb 13, 2021When I left Kino Lorber’s office on Friday, March 13th, I was expecting to return on Monday. I was wrapping up the DVD and Blu-ray of Jia Zhangke’s I Wish I Knew (2010), getting final proofs of Adam Nayman’s booklet essay and waiting for the test molds (the final check disc the replicator sends for approval before the title goes into manufacturing) to come in. But then the lockdown hit, and the scramble to improvise and adapt to the situation. One of my colleagues lives nearby our office, so he shipped the I Wish I Knew test molds to our […]
by R. Emmet Sweeney on Feb 10, 2021