LAFF
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Five Questions with Amber Sealey, Director of No Light and No Land Anywhere
After having premiered at the 2016 Los Angeles Film Festival, Amber Sealey brings her new feature, No Light and No Land Anywhere, to theaters today. The Factory 25 release screens at the IFC Center, with Sealey doing Q&As at all the evening shows. Tickets and information can be found here at the link. And, below, read Paula Bernstein’s interview with Sealey conducted just prior to the film’s festival launch. Five years after her last feature, writer-director-actor Amber Sealey returns with No Light and No Land Anywhere, a psychosexual drama executive produced by Miranda July. Starring British stage actress Gemma Brockis […]
by Paula Bernstein on Mar 16, 2018 -
Five Questions with Namour Director Heidi Saman
Two years ago, Filmmaker featured Heidi Saman on our annual list of “25 New Faces of Independent Film.” The filmmaker and associate producer at NPR Radio’s Fresh Air had just concluded a successful Kickstarter campaign for her debut feature Namour and was beginning to prep for production. What a difference two years makes. Namour will have its world premiere in the LA Muse section of this year’s Los Angeles Film Festival, where it debuts on June 5. The story of Steven, a young Arab-American valet at a slick L.A. restaurant, caught between his dead-end job and the demands of his immigrant family, Namour references such disparate films as The Graduate and Taxi […]
by Paula Bernstein on Jun 4, 2016 -
Five Questions with Tracktown Directors Alexi Pappas and Jeremy Teicher
It’s rare, if not unheard of: a first-time feature film director who is also an Olympic athlete. Such is the case with competitive long distance runner Alexi Pappis, who, along with her boyfriend Jeremy Teicher (one of Filmmaker‘s 25 New Faces of 2013), co-wrote and co-directed Tracktown, a new feature film which will have its world premiere at the Los Angeles Film Festival on June 4. In addition, Pappas, who will compete for Greece at the upcoming Summer Olympics in Brazil, stars as Plumb Marigold, a young Olympic hopeful trying to find balance in life. Filmed and set in the real-life “Tracktown,” […]
by Paula Bernstein on Jun 3, 2016 -
LOS ANGELES FILM FESTIVAL 2012
The Los Angeles Film Festival is something of an oddity, not least because of its relative obscurity: for a 11-day-long cinematic event a stone’s throw away from the heart of the American film industry, it hardly registers on the local radar. As a reasonably cinema-savvy Angeleno, I don’t personally know anyone who gets more excited for it than they do for AFI Fest – my usual screening buddies either skipped LAFF entirely or only showed up for a handful of films this time around – though perhaps the comparison isn’t entirely valid. Where this is a “traditional” fest, with programming […]
by Michael Nordine on Jul 12, 2012 -
WME’S GRAHAM TAYLOR ON ENTREPRENEURIAL FILM
Today’s morning read is WME Global head Graham Taylor’s keynote speech at the Los Angeles Film Festival, a smart and entertaining walk through not only his own career but the trajectory of independent film’s past and future. Since his speech references Hollywood blockbusters, perhaps it’s appropriate that it starts with Taylor’s own origin story, beginning in Portland, Oregon, where he grew up with an economist father and artist mother — two influences that will intertwine throughout his career. Another part of that origin story: Reservoir Dogs, the film that blew him away and made him want to be involved in […]
by Scott Macaulay on Jun 19, 2011 -
The New Year Writer/Director Brett Haley
A young woman works at the shoe counter at a Pensacola, Florida bowling alley. Having abandoned the ambitions of her youth, she takes care of her ailing father, who painfully struggles with cancer. With the return of a rival from high school into her long-standing social circle, the stillness that has taken over her existence breaks, leaving her to consider the possibility of a new direction, one which seems tantalizingly close and yet ever elusive. This is subject matter than might seem too comfortably within American independent cinema’s wheelhouse, but in thoughtful hands, even the most seemingly pedestrian yarns can […]
by Brandon Harris on Jul 28, 2010
