In the middle of the global pandemic and one of the worst economic downturns in a century, Maven Pictures’ Celine Rattray, a producer of Driveways, The Kindergarten Teacher and American Honey, had several projects interrupted. But in early April, a timely new project—in which the crew and cast could work remotely from their own homes—was suddenly greenlit. She spoke to a private equity investor who she believed would be a good fit for the film, budgeted at six figures, and the financier agreed to fully fund it during their phone call. “The deal closed in a couple days,” says Rattray. […]
by Anthony Kaufman on Jul 7, 2020“What always attracted me to the work is that there’s something impossible about it,” says Jay Van Hoy, cofounder of Parts & Labor, the New York–based independent film production company that helped develop a wave of new auteurs over the past 15 years, from Kelly Reichardt to David Lowery to Robert Eggers. While Parts & Labor no longer exists as it once did as a partnership between Van Hoy and producer Lars Knudsen (the two split in 2016, with Van Hoy retaining the brand), its legacy lives on, as one of the most prolific independent film companies of its time, […]
by Anthony Kaufman on Sep 4, 2019When legendary producer and studio executive Robert Evans penned his autobiography — later adapted into a documentary — he picked a telling title: The Kid Stays in the Picture. You would think that after producing films like Chinatown and Urban Cowboy, Evans could happily rest on his laurels, but his book’s title, with its defiant use of the present tense, speaks to the ambitions and anxieties affecting every filmmaker with producer DNA. These, of course, are issues of continuing relevance and professional durability — or, to use the independent film parlance of the moment, sustainability. Contrary to the imagination of […]
by Scott Macaulay on Oct 20, 2016The following blog post originally appeared at the IFP’s site and is cross-posted with permission. — Editor. I’m very fortunate to be friends with many accomplished independent film producers–people whose films have screened at the best festivals, won significant awards, gotten picked up by major distributors, earned healthy gross receipts, and received accolades in the mainstream press. We hang out sometimes, one-on-one or in groups, to catch each other up on our projects, share recent experiences, exchange opinions on companies and people we’ve worked with, etc. But essentially, we get together for emotional support against an industry and an economy […]
by Mynette Louie on Jun 18, 2012David Lowery, one of Filmmaker’s 2011 “25 New Faces,” is set to direct a new, “contemporary western” that teams him with three others from our annual talent survey. As announced by Deadline, Ain’t Them Bodies Saints is set to star Rooney Mara (picked for our 2009 list) and will be produced by a team including Jay Van Hoy and Lars Knudsen (from our 2006 list). Ben Foster and Casey Affleck are also attached; James Johnston, Toby Halbrooks, Amy Kaufman also produce; and the pic is repped by WME Global. Evolution Independent’s Cassian Elwes is putting together the financing. Lowery’s Pioneer […]
by Scott Macaulay on Apr 28, 2012Lars Knudsen and Jay Van Hoy, the producing duo behind Gotham Award Best Picture winner and Oscar nominee Beginners, have signed an output and development deal with sales, finance, and production company K5 Media Group. The deal marks an alliance between two rising indie powerhouses. Knudsen and Van Hoy have been building their reputation for the past ten years. In 2004, they founded production company Parts & Labor and steadily accumulated a body of festival circuit sleeper hits including Kelly Reichardt’s Old Joy, Cam Archer’s Wild Tigers I Have Known, and Nik Fackler’s Lovely, Still. More recently, the duo produced […]
by Jane Schoenbrun on Feb 1, 2012A number of former “25 New Faces” are involved with the production of Sarah Daggar-Nickson’s short film, In the Forest One Night. They include the cinematographer Sean Kirby and executive producers Lars Knudsen and Jay Van Hoy. Also involved are producers Tory Lenosky and Andrea Roa, and production designer Amanda Ford. Rewards include the director’s own DVDs and books of poetry, and a pitch-meeting with the two exec producers. According to her Kickstarter bio, Daggar-Nickson “specializes in stories from the darker side of life, where hope shines a little brighter.” I like that. Check out the video and consider supporting.
by Scott Macaulay on Apr 25, 2011[PREMIERE SCREENING: Friday, Jan. 21, 5:30 pm — Library Center Theatre] Looking back, the process of creating Here, which is ultimately a pretty romantic, landscape-obsessed road movie, was probably about as close you can get to some kind of Fitzcarraldo or Heart of Darkness experience anymore. I suppose I’m surprised that the finished film doesn’t seem to reflect that more. There are no massive battle sequences in the film; I didn’t get to play with any pyrotechnics (damn it), but Here was the first American feature film ever to shoot in Armenia. That provided fantastic advantages and disadvantages: unimaginable challenges, […]
by Filmmaker Staff on Jan 21, 2011Originally printed in our Fall 2010 issue, we asked a number of leading independent producers about their producing models and how they’re finding everything from financing to material to office space. Jay Van Hoy & Lars Knudsen’s latest film, Braden King’s Here, premieres at Sundance on Friday. For Parts and Labor’s Jay Van Hoy and Lars Knudsen, independent film success is all about work. Very hard work. Midway through our conversation about their recent producing successes, Jay Van Hoy and Lars Knudsen realized that they hadn’t had a day off in 18 months. “You did seven-day weeks for a year-and-a-half?” […]
by Scott Macaulay on Jan 20, 2011
Making a business out of independent film is harder than ever. But still, great films are being made. In this series of short profiles, Filmmaker asked a number of leading independent producers about their producing models and how they’re finding everything from financing to material to office space.