Matt Porterfield
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Sustainability and History: The 2018 International Film Festival Rotterdam
The 47th edition of the International Film Festival Rotterdam presented 531 films of various lengths, 140 of which were world premieres, and welcomed more than 2,400 industry professionals. To tick off each special event, master class, conference, installation, curated program, party, award winner and grand announcement would consume this entire report. (The IFFR wrap-up press release clocks in at 1,400 words.) Needless to say, IFFR benefits from and suffers for its size, in mostly predictable ways. There are few places other than Rotterdam in January where one might watch Phantom Thread scored live by an orchestra, spend a night in […]
by Darren Hughes on Mar 9, 2018 -
Five Questions with I Used to be Darker Director Matt Porterfield
Though it only arrived three years ago, Matt Porterfield’s Putty Hill, with its unique blend of fiction and documentary and its crisp, patient filmmaking, has already become quite an influential and well-loved piece of the micro-budget cannon. Now Porterfield has returned with I Used to Be Darker, a more formally scripted work that follows a troubled young woman (Deragh Campbell) who moves in with her aunt (Kim Taylor), uncle (Ned Oldham), and cousin (Hannah Gross) in Maryland. The film premieres today in US Dramatic Competition at the Sundance Film Festival. Filmmaker: Tell me a bit about the development process for […]
by Jane Schoenbrun on Jan 19, 2013 -
I Used to be Darker | Director Matt Porterfield
[PREMIERE SCREENING: Saturday, Jan. 19, 3:00pm — Yarrow Hotel Theatre, Park City] As far as I can tell, besides the obvious sacrifices of sleep and mental health, making a film is a series of sacrifices to the gods of fingers-crossed-there’s-something-real-here. Each vision must be sacrificed to practical reality (no way we can afford to light that field, no one here knows how to wrangle a calf), ego must be sacrificed in deference to other people’s genius or inclination or shortcomings. The first draft of the screenplay is sacrificed to the second, the film we shot is sacrificed to the edit. […]
by Filmmaker Staff on Jan 18, 2013 -
Trailer Watch: Matt Porterfield’s I Used to Be Darker
201o “25 New Faces” pick Matt Porterfield, the writer/director of Putty Hill, will premiere his third feature, I Used to Be Darker, at Sundance in about six weeks, and the trailer for the movie just dropped. The synopsis from the SFF press release describes it as follows: “A runaway seeks refuge with her aunt and uncle in Baltimore, only to find their marriage ending and her cousin in crisis. In the days that follow, the family struggles to let go while searching for things to sustain them.”
by Nick Dawson on Dec 3, 2012 -
CREATIVE CAPITAL ANNOUNCES 2012 FILM AND VIDEO GRANTEES
At a reception last night at the Ronald Feldman Gallery in New York, Creative Capital announced its 2012 Film & Video and Visual Arts grantees. Among the media artists are a number of names familiar to Filmmaker readers, including 25 New Face directors Cam Archer, Matt Porterfield and Yance Ford. Others who received grants include L.A.-based director Nina Menkes, veteran experimental filmmaker Ken Jacobs, and Rooftop Films head Mark Elijah Rosenberg, who, as a director, will tell “a multimedia, fictional story of an astronaut heading to Mars alone on a one-way mission.” “Our grantees span artists from 27 years old […]
by Scott Macaulay on Jan 13, 2012 -
Seven Overlooked Independent Films Of 2011
The world doesn’t need another list of the best films of the year, but after considering my own recent lists, I realized there were a handful of movies‹excellent independent work that has largely flown under the radar‹that even I initially overlooked. Here are seven bold American low-budget movies from 2011 that may have been forgotten in theatrical release, but should make for essential home viewing (if you haven’t seen them yet) in 2012. And I’ll be among the first in line to see where these young directors go next. 1. Silver Bullets. All I can say is that I […]
by Anthony Kaufman on Jan 2, 2012 -
KICKSTARTER: MATT PORTERFIELD’S “I USED TO BE DARKER”
What do you do when your first Kickstarter campaign, which included a heartfelt personal direct-address video, has been cited as one of the best, and most successful, indie film ventures on the crowdfunding site? Well, you mix it up a bit for the next one. Putty Hill director Matt Porterfield is raising money for the production of his new feature, I Used to be Darker, which is shooting in three weeks. It’s a drama about marriage and divorce, and it’s set within the Baltimore music industry. Here’s the synopsis: When Taryn, a Northern Irish runaway, finds herself pregnant in Ocean […]
by Scott Macaulay on Jul 15, 2011 -
“PUTTY HILL,” “ZERO BRIDGE” OPEN IN NYC
Two of Filmmaker’s “25 New Faces” have excellent movies opening today that are worthy of your first weekend patronage. From Tariq Tapa, who made our list in 2008, is Zero Bridge. Here’s what I wrote about him back then: “Everything I used to make this movie, from soup to nuts, fit in one little backpack,” says Tariq Tapa, whose Zero Bridge, a neorealist tale of unexpected friendship and moral complication set in the Indian-occupied city of Srinagar, Kashmir, is set to explode on the festival circuit this year. Tapa, who not only directed this first feature but shot, edited and […]
by Scott Macaulay on Feb 18, 2011 -
25 NEW FACES – PART 5
Susan Youssef SUSAN YOUSSEF. At the IFP Narrative Lab, a mentor said of Susan Youssef’s first feature, Habibi Rasak Kharban (literally, “Darling, Something’s Wrong with Your Head”): “It’s a classic story, like Romeo and Juliet.” True, but the roots of Youssef’s story go back far further. The film is an adaptation of the 12th-century Sufi parable Majnun Layla, which was itself based on a 7th-century Arabic story. Over the years, the tragic tale of undying love between a woman and the wandering poet her family forbids her to marry has formed the basis for countless works of art, from Shakespeare’s […]
by Filmmaker Staff on Jul 20, 2010 -
25 New Faces
Welcome to the 2010 edition of Filmmaker‘s annual survey of new independent film talent. Victoria Mahoney Writer-director Victoria Mahoney began her artistic career as an actress in theater and then film. “Shelly Winters was my teacher,” Mahoney says. “If you touched your hair too many times in her class, she’d come over and cut off your bangs. She taught me the gift of stillness.” After working off-off Broadway, Mahoney went to L.A., did a number of pilots, a few European films, and a season of Seinfeld (she played Gladys Mayo, owner of the clothing store Putumayo). But then there […]
by Filmmaker Staff on Jul 20, 2010
