Matthew Rhys
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Widow’s Bay and the Genre Jump Scare
In recent years, a trend has emerged in horror: auteurs have moved into the genre after first establishing themselves in sketch comedy. In 2018, Jordan Peele of Key & Peele won the Best Original Screenplay Oscar for Get Out, his feature directorial debut (which he would follow up with 2019’s Us and 2022’s Nope). This year, Amy Madigan won Best Supporting Actress for her devious turn in the horror film Weapons, the second feature from Zach Cregger (after 2022’s Barbarian), a founding member of the comedy troupe The Whitest Kids U’ Know. There’s clearly a connection between comedy and horror. Both genres succeed by getting a response—a laugh […]
by Tyler Coates on May 29, 2026 -
Back to One, Episode 164: Matthew Rhys
After six seasons, Matthew Rhys won an Emmy for his stellar work on The Americans. Spielberg’s The Post, and A Beautiful Day in The Neighborhood (opposite Tom Hanks) followed, and now he’s nominated for another Emmy for his incredible work in Perry Mason on HBO. In this half hour, he compares the experience of building (and “wrestling”) his two major television characters into life. He talks about the humiliating way he learned the acting lesson that listening is just as important as speaking. He shares a few tools he uses when he can’t get in the groove, explains why he’s […]
by Peter Rinaldi on Aug 10, 2021
