Today, Metrograph announces Inge de Leeuw as their newly appointed Director of Programming, who joins the New York-based company after working as a programmer of English-language titles at International Film Festival Rotterdam for over a decade, where she introduced European audiences to filmmakers like Kogonada, Terence Nance and Eliza Hitman. (Notably, the aforementioned filmmakers each previously appeared on our 25 New Faces of Independent Film list). “Metrograph is a family built around film curation—daring, inspiring, personal programs that have driven our growth since we opened in 2016,” said Alexander Olch, Metrograph’s Founder, via a press release. “These countless detailed choices […]

Brandon Harris—an educator, programmer, author, producer, director, executive as well as a longtime contributing editor at Filmmaker—has curated a series at Metrograph in commemoration of Black History Month. Entitled “Strange Fruit,” the series features an impressive slate of titles spanning several decades, from Pierre Chenal’s black and white Argentine drama Native Son to Billy Woodberry’s seminal L.A. Rebellion film Bless Their Little Hearts.  The opening night selection, which played on Sunday, February 5, was Elvis Mitchell’s NYFF-premiering essay film Is That Black Enough for You?!? Several special screenings have also been programmed, including Del Lord’s 1927 silent film Topsy and Eva […]

New York’s Metrograph Theater will pay homage to the “unsung” innovators of New York City’s independent film landscape in their repertory series The Process: A Tribute to Robert and Irwin Young. Running from August 12 through 21, the series highlights the directorial work of Robert M. Young as well as a slew of renowned titles that were processed at the now-defunct DuArt Film Laboratories, where his brother Irwin Young acted as owner and chairman until his death earlier this year at the age of 94.  Series curator Nellie Killian was originally approached by Caught screenwriter Edward Pomerantz to program that […]

Leilah Weinraub’s 2018 Shakedown, which began playing Metrograph on June 17th (and has been held over through June 30th due to high demand), has been touted by Variety as the “the first-ever non-adult film” to be picked up by Pornhub. Yet it could also be called the sex site’s first-ever Berlinale-premiering and Tate/ICA/MoMA PS1/Whitney Biennial-screened acquisition. And likely the smut streamer’s first-ever labor of love release as well. Indeed, Shakedown is a film that defies any easy categorization. Ostensibly a longform cinematic exploration (crafted over 15 years starting in 2002) of the titular, mid-city, Los Angeles, Black lesbian strip club, the doc […]

With Maria Maggenti’s 1995 picture The Incredibly True Adventures of Two Girls in Love now in rerelease from Strand Releasing, we’re reprinting our 1995 print issue interview with Maggenti, who has gone on to write and direct Puccini for Beginners, write Before I Fall, and write and write and produce for series such as Motherland: Fort Salem and Supergirl. The Incredibly True Adventures of Two Girls in Love is currently screening at New York’s Metrograph, where Filmmaker‘s Scott Macaulay will be moderating a conversation with Maggenti and Hall on November 24. The below interview has been lightly reedited to add […]

There’s a truly startling sequence beginning about a half hour into Todd Chandler’s unsettling, formally assured documentary on school violence, Bulletproof. Until this point Chandler, with cool, distanced precision, depicts the “capitalist spectacle” that has grown around the issue of violence in schools. Active shooter drills, teachers given firearms training, a first-generation immigrant starting a business producing Kevlar hoodies, and a Las Vegas trade show where high-tech surveillance equipment and classroom accessories like bulletproof whiteboards are hawked to school board purchasers — the parallels between this education/security industrial complex and our post 9/11 security state, where weaponry and advanced surveillance co-mingle, […]

In mid-March, New York City movie theaters went dark. The coronavirus pandemic exploded in America, hitting the city harder than anywhere else in the country. While some indoor institutions have partially reopened, including museums and bowling alleys, with indoor dining en route, there still remains, as of this writing, no such plan for places that show films — one of the richest and most diverse aspects of the city’s cultural life. The major multiplex chains are hurting, but so are NYC’s many smaller art house and repertory theaters, who’ve been forced to think way outside of the box to survive, […]

Brandon Harris — whose insightful, politically sagacious and ruefully funny blend of memoir and criticism has graced the pages of the New Yorker, n+1 and Filmmaker, where you’ll recognize him as a Contributing Editor — has just released his debut book, Making Rent in Bed-Stuy, a cultural memoir on neighborhoods, race, millennial culture and filmmaking. Appropriately, he has also programmed a series of relevant films this weekend at New York’s Metrograph Theater. Running through the 12th, the films include Spike Lee’s Crooklyn (next to Do the Right Thing my favorite 40 Acres joint, actually), Jay-Z: Fade to Black, and Sebastián Silva’s […]

How do you measure success these days?  When more than two million people vote for you over the other guy and you still lose? When you receive no endorsements from a single major newspaper, your party’s leadership practically ignores you, and you still win? Or, perhaps, when your heralded Sundance acquisition earns a whopping $15.8 million at the box office, but you spend more than twice that in acquisition fees and prints and advertising costs to release it? (i.e., The Birth of a Nation). How about if your film isn’t released in theaters at all, but Netflix paid $5 million […]

The third and final short from UnionDocs’ Living Los Sures project premiering here at Filmmaker is Danya Abt’s Eric, Winter to Spring. UnionDocs describes the project like this: After losing his brother two years ago, cab driver Eric Martine quit using drugs and began a new chapter in his life. Although he still visits some of the same punk-rock haunts and friends, Eric is re-mapping his life onto the city he knows by turning his experiences into prose poems and trying to draw meaning from an extreme past. (2014) The short won Best Short Documentary at the 2015 Brooklyn Film […]