For many supposedly serious cinema folk, there is no secret pleasure more pleasurable than the disaster film. What makes the genre so familiar – predictable plotlines, one-dimensional characters and an ever-present threat that only kills the people who deserve it – is also what makes it so damn fun. In the late ’90s, people cheered when the alien spaceship blew up American monuments. A full decade after September 11th, it’s still hard to imagine that happening now. During the past decade, disaster films have become more serious, less The Towering Inferno and more District 9, but it is only in the […]
by Mary Anderson Casavant on Dec 20, 2011Originally published in the Fall 2011 issue. Take Shelter is nominated for Best Feature and Best Ensemble. As I write this introduction the financial press is buzzing about the BBC appearance of a trader, Allesio Rostani, who flatly stated, “I’m dreaming of a global recession.” He says he hopes — and expects — the world economy to crash. If it does, he’ll make a lot of money because he’s short the Euro and various European government bonds. There’s speculation that he’s a member of the political prankster group the Yes Men, not because of the substance of his commentary (there […]
by Scott Macaulay on Nov 25, 2011(Before world-premiering in the dramatic competition at the 2011 Sundance Film Festival, Take Shelter was picked up by Sony Classics. It went on to win the Grand Prize at Critics Week, as well as the FIPRESCI Prize, in Cannes. It opens theatrically in New York City and Los Angeles on Friday, September 30, 2011. Visit the official website to learn more.) [DISCLAIMER: I am very good friends with several of the key collaborators involved with the Take Shelter production. Ordinarily, I would absolve myself from writing a review based on far more tenuous connections, but in this particular case, I […]
by Michael Tully on Sep 29, 2011[PREMIERE SCREENING: Monday, Jan. 24, 3:00 pm — Eccles Theatre] The biggest surprise associated with the making of Take Shelter was, without question, Jessica Chastain. When traveling the festival circuit with my first film, Shotgun Stories, I was fairly outspoken about the fact that Michael Shannon is one of the greatest actors working today. When casting Take Shelter, a film that is anchored by the relationship of a married couple, the biggest question I had was: “What actress could go toe-to-toe with Michael Shannon?” Then the universe delivered me Jessica Chastain. When thinking about this role my executive producer, Sarah […]
by Filmmaker Staff on Jan 24, 2011It’s hard to go head first into film noir and not regurgitate the themes, styles, dialogue and characters from the past. But Noah Buschel in his latest cleverly dances around the genre to tell a story of a man who’s hit rock bottom and how he unknowingly redeems himself. Set in the modern day, Michael Shannon gives one of his best performances in a budding career as a gifted character actor with his portrayal as sauced Chicago private eye John Rosow. When we meet Rosow he’s extremely hung over and gets a call to do a job tailing a guy […]
by Jason Guerrasio on Apr 13, 2010Noah Buschel’s The Missing Person stars Michael Shannon, last seen as the asylum-bound neighbor in Revolutionary Road, and if Sam Mendes had directed this film, he might have played it straight, disregarding the minefield of clichés to pay reverent homage to The Long Goodbye; Buschel knows what a bold move it is to make a noir in 2007, so he subverts the genre with un-ironic simplicity and a few tall guys hitting their heads on the ceiling. We meet Shannon’s character in his dungeon-like Chicago apartment. His cell phone is ringing; he’s a PI; he’s offered a lot of money […]
by Scott Macaulay on Jan 19, 2009The North Carolina School of the Arts film program has, during its relatively short existence, produced a wealth of cinematic talent. Prominent alums includes writer-directors David Gordon Green, Craig Zobel, Michael Tully, Aaron Katz, Jody Hill and Nate Meyer, actors Danny McBride and Paul Schneider (who is also a writer-director), DPs Tim Orr and Adam Stone — and to that list one must now add another notable talent, Jeff Nichols. A native of Little Rock, Arkansas, Nichols graduated from the school in 2001 and has to date written and directed six short films in addition to working on Gary Hawkins’ […]
by Nick Dawson on Mar 26, 2008