In a career-spanning interview with Polly Platt for the DGA oral history series, director Henry Hathaway dismissed his 1956 thriller 23 Paces to Baker Street as a throwaway, one of those studio assignments he took without much relish. It’s yet another example of why filmmakers cannot be trusted when it comes to their own films, for while the material is slightly shopworn (and owes an enormous and obvious debt to Hitchcock’s Rear Window), Hathaway frames it with meticulous care and artistry. The movie follows Van Johnson as a blind playwright who thinks he overhears a crime being plotted; after the […]

Is TV usurping independent film? That was one of the main takeaways in a recent Filmmaker Magazine article written by producer Mike S. Ryan (“TV is Not the New Film”). With veteran producers, writers and directors heading to HBO, Netflix and Amazon in droves; with audiences affixed to the latest show recaps; and with film festival programmers dedicating more slots to episodic storytelling, it sure seems so. But if you talk to working indie-film professionals, the question appears to be slightly off the mark. Maybe we shouldn’t be asking whether long-form storytelling is supplanting indie film, but how it’s enabling […]

“I’ve been around so long that I’ve seen the ‘death’ of independent film at least three times” – Christine Vachon, Producing Masterclass Widely regarded as one of the key figures in American independent cinema, Christine Vachon is now well into her fourth decade of film production. Her first feature film as a producer was Todd Haynes’ corrosive, Jean Genet-inspired Poison (1991), which set the tone for the host of fearlessly confrontational films that followed, including Tom Kalin’s Swoon (1992) and Larry Clark’s Kids (1995). In 1996, alongside Pamela Koffler, Vachon co-founded the NYC-based production company Killer Films, which has been […]

At Independent Film Week this past September, Ed Lachman taught a Masterclass sponsored by Kodak. An acclaimed cinematographer known for creating lush and arresting images in films such as I’m Not There, Erin Brockovich, and The Virgin Suicides, Lachman was nominated for an Academy Award and received an Independent Spirit Award for his work on Far From Heaven. While the full panel is pay-walled and available only to IFP members, you can watch these three free excerpts right now: Here, Lachman discusses the difference between working with first-time directors and more experienced directors. Here, Lachman theorize about the difficulty of […]

Here’s the trailer for Todd Haynes’s five-part HBO miniseries, “Mildred Pierce,” that played tonight in front of the premiere of Boardwalk Empire. (Click on the headline if the trailer does not appear.)