Do critics matter? Maybe. But do critics’ top ten lists matter? There’s little doubt within the industry that an Academy Award nomination (or win) can provide an extraordinary boost to a film’s profile, especially smaller independent films who need the long tail of awards recognition more than most. Think of last year’s The Florida Project or Faces Places. But what about all those year-end numerical rankings and lists, proffered by that dwindling professional entity known as the film critic? He’s no Oscar, but when the New York Times’ A.O. Scott puts your little film at the top of his year-end […]
by Anthony Kaufman on Jan 14, 2019The program for the 31st International Documentary Film Festival Amsterdam (November 14th – 25th) — the first under the new artistic directorship of Syrian documentary filmmaker Orwa Nyrabia — feels equal parts familiar and fresh. On the one hand, as in years past, it’s hard not to be overwhelmed by the sheer size of the world’s largest nonfiction film festival. Once again the fest will include exceptional industry events like the IDFA Forum (and Docs for Sale, the IDFA Bertha Fund, IDFA Academy, etc.), competitions (14 in total), and more meet-and-greets and parties than one can reasonably attend. (Do I […]
by Lauren Wissot on Nov 13, 2018The non-fiction-centric awards body Cinema Eye Honors announced its nominees for 2018, ranging over 10 categories, such as directing, production, cinematography and, of course, Outstanding Achievement in Nonfiction Feature Filmmaking. Among the biggest recipients is Bing Liu’s Minding the Gap, which raked up a total of seven nominations — the most of any title this year. Others with multiple nominees include Robert Greene’s Bisbee ’17, RaMell Ross’ Hale County This Morning, This Evening and Sandi Tan’s Shirkers. The winners will be announced at the 2019 Honors Awards Ceremony on January 10, 2019, which will be held at the Museum of […]
by Matt Prigge on Nov 9, 2018Bing Liu’s first feature documentary, Minding the Gap, draws upon a deep trove of skater tapes he’d kept since his teen years. The film tracks three male skaters growing up (or failing to) in economically dispossessed Rockford, IL. Two are the director’s old friends: in between countless beers, Zack is introduced as he prepares to have a child he clearly isn’t ready for with his girlfriend Nina. Keire doesn’t have any attachments beyond family, but finding his first job is a struggle; the ultimate goal is to get out. The third character is the filmmaker himself. What all three subjects have in […]
by Vadim Rizov on Aug 15, 2018In 2006, documentary filmmaker Garrett Scott died unexpectedly, shocking the film community. His film, Occupation: Dreamland, co-directed with Ian Olds, won the Independent Spirit Truer than Fiction Award two days after his death. In the aftermath of this tragedy, his friends and collaborators founded the Garrett Scott Documentary Development Grant. The idea of the grant is to support first-time feature documentary makers by emulating a formative experience Garrett and Ian had when making Occupation: Dreamland. He visited Full Frame Documentary Film Festival in Durham, North Carolina, where he met with many people from the doc community. Full Frame is a […]
by Jason Osder on May 10, 2018Joshua Altman cut his first Sundance-bound documentary in 2009 with We Live in Public. The film – Altman’s first as an editor of documentary features – went on to win the Grand Jury Prize for documentary at the festival. Since then, Altman has cut five more docs to premiere at Sundance: The Tillman Story (2010), Bones Brigade: an Autobiography (2012), We Are The Giant (2014) and, in 2018 alone, both Kailash and Minding The Gap. The latter film he cut with film’s director, Bing Liu. Liu himself appears in the film among a trio of friends who bond over skateboarding in their Rust Belt town. Below, […]
by Filmmaker Staff on Jan 26, 2018A camera assistant who has worked on The Girlfriend Experience, Sense8 and Chi-Raq, 24-year-old Bing Liu makes his debut as a feature documentary filmmaker with Minding the Gap. The film was made with the help of production partners Kartemquin Films, ITVS and POV, and it includes an executive producer credit from Steve James. Minding the Gap‘s three leads bond in part over skateboarding, and as such the film includes extensive footage of its leads on their boards. As he discusses below, Bing used a number of different methods to “shoot skateboarding in a way that I hadn’t seen before.” Minding the Gap […]
by Filmmaker Staff on Jan 25, 2018As you made your film during the increasingly chaotic backdrop of the last year, how did you as a filmmaker control, ignore, give in to or, conversely, perhaps creatively exploit the wild and unpredictable? What roles did chaos and order play in your films? It’s difficult to describe any part of the filmmaking process as not chaotic – Minding the Gap was by far the most difficult task I’d ever tried to take on. I was working on all these other projects and writing grants to fund the film and all the while my mom was fighting through a violent […]
by Filmmaker Staff on Jan 21, 2018