The films on this list represent only a small fraction of films from 2018 directed by female identifying filmmakers ranging greatly in production from impressive big budgeted masterpieces, to smaller, spirited low-to-no budget indies. One thing that emerged more than in recent years was that many films on this list implicate the audience in their inquiries and creativity; they reach into the senses to make sense of our unmoored present to provide meaningful connection. These directors remind how human the medium of film is and how our choices as an audience make us just as responsible as the filmmakers, artists, […]
by Donna K on Dec 18, 2018Writer/director Christina Cho and editor David Gutnik met during their time at Columbia University’s MFA Film Program. Gutnik edited Cho’s thesis film, I Am John Wayne, which won the Grand Jury Prize for best short film at Slamdance in 2012. Their new film together, NANCY, is one of three films at the 2018 Sundance Film Festival to star Andrea Riseborough. Below, Gutnik discusses the genre elements of this psychological thriller and how he sought to ensure that “every edit is connected to the central nervous system of the character, and by extension the soul of the film.” Filmmaker: How and why did you […]
by Filmmaker Staff on Jan 22, 2018Zoë White has DP’d more than 30 features and shorts since 2004, including Stephen Cone’s Princess Cyd and Onur Tukel’s Catfight. Her latest work, NANCY, marks the feature debut of Christina Choe, a writer/director whose shorts have screened at Telluride and SXSW. NANCY tells the story of a struggling writer (Andrea Riseborough) who tells elaborate lies on the Internet to compensate for her creative failures. The film co-stars Steve Buscemi, Ann Dowd and John Leguizamo. Below, White discusses how she and Choe arrived at the film’s visual design. NANCY screens in competition at the 2018 Sundance Film Festival. Filmmaker: How and why did you […]
by Filmmaker Staff on Jan 20, 2018As you made your film during the increasingly chaotic backdrop of the last year, how did you as a filmmaker control, ignore, give in to or, conversely, perhaps creatively exploit the wild and unpredictable? What roles did chaos and order play in your work? I think directing on set is all about managing the balance between chaos and order. You’re constantly navigating between what you can control and what you cannot — perhaps because it’s the only art form in which there’s a ticking time bomb and a lot of money on the line, all happening while you are in […]
by Filmmaker Staff on Jan 20, 2018Nancy is a psychological drama about a female imposter, who lies to gain emotional intimacy and love. The genesis for this script started with my fascination with imposter stories (the literary hoax of JT LeRoy, Clark Rockefeller, Frédéric Bourdin in The Imposter, Gay Girl in Damascus fake blogger, etc). It’s only now that I’ve come to realize that my obsession with the fine line between truth/fiction, performance/reality and storytelling/confession, is something that started long before my intrigue with imposters. After a stint editing in the documentary world, I decided to try my hand at writing a screenplay. I had no idea what I was […]
by Christina Choe on Jun 3, 2015