Last Friday the African news site AllAfrica.com published a lengthy story on the growth and maturation of the Rwandan film industry since the Tutsi genocide of 1994. Coming from a place of inter-tribal distrust and decimated infrastructure, filmmakers, like others in the country, got to work rebuilding their country, their pride, and their national image. In the immediate aftermath of the genocide many films understandably dealt with it as subject matter (think Italian neorealism springing up in the wake of the Allied tanks), but in the ensuing 20 years filmmakers have created a space to tell other stories and redefine […]
by Randy Astle on Mar 19, 2014When I was in film school in 2004, we spent a lot of time flipping through binders of head shots and reading resumes on sheets of paper. As the Internet revolutionized social networking and sites like Shooting People and Mandy.com got filmmakers’ and actors’ information online, the casting and crewing process was turned upside-down, and definitely for the better. But there are still limitations to what the Internet can do. The main problem is penetration, getting everyone on the same network; second to that is searchability, being able to find the right people who are on the network you’re already […]
by Randy Astle on Mar 17, 2014Transmedia producers in Canada already have ways to network with and benefit from each other through organizations like the Toronto-based group Transmedia 101. But those specifically interested in creating web series just received an additional resource with the formation of the Independent Webseries Creators of Canada (or IWCC; CIWC in French). Serendipitously coinciding with the announcement of the Vancouver Web Fest, the IWCC is a nonprofit professional association that sees today’s web producers like the television pioneers of the 1940s and 50s: building a new branch of the entertainment industry in uncharted waters, but this time doing so in a […]
by Randy Astle on May 20, 2013While the concept of dropping into the world’s largest film event and competing with 999 other short filmmakers for the industry’s attention may seem like a Survivor-like TV show, it’s the reality each year for participants in Cannes’ Short Film Corner. Many of the filmmakers who screen their works in the basement of the Palais are arriving in Cannes for the first time, and the event is a crash course in networking and navigating the business side of film markets. “You can get lost in a sea of films,” admits filmmaker Bradley Montesi (pictured here with producer Elle LaMont), attending […]
by Scott Macaulay on May 30, 2012