Nicolas Winding Refn
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Venice Film Festival Announces 2022 Lineup
The lineup for the 79th Venice Film Festival is now live, one day after Noah Baumbach‘s adaptation of Don Delillo’s novel White Noise was announced as the opening night film. The films announced today include Andrew Dominik‘s Blonde, Darren Aronofsky‘s The Whale, Joanna Hogg‘s The Eternal Daughter, recently jailed Iranian director Jafar Panahi‘s No Bears, Frederick Wiseman‘s narrative turn A Couple and more. White Noise marks the first time that a Netflix film serves as the festival’s opening night film. The streamer is also present with Dominik’s Blonde, the Nicolas Winding Refn mini-series Copenhagen Cowboy and Alejandro González Iñárritu’s Bardo (or False […]
by Filmmaker Staff on Jul 26, 2022 -
“I’m Like a Flare Hunter”: DP Natasha Braier on The Neon Demon
With the fantastical levels of post-production digital alchemy now possible, there’s an increasing trend toward not committing in-camera. But not when you’re working with director Nicolas Winding Refn, as cinematographer Natasha Braier discovered on The Neon Demon. “Most of the time directors love all the radical things I try to do in-camera, but then they’ll still say, ‘Just in case, let’s do a safe version.’ Nic doesn’t do that. He’s not scared to not have that safety net,” said Braier. “Instead, Nic says, ‘Give me that times 10. If you’re going to jump, let’s jump even higher.’ That’s why it’s […]
by Matt Mulcahey on Nov 30, 2016 -
Watch: Tony Zhou on Drive and “The Quadrant System”
This quick Tony Zhou video starts by breaking down a shot from Nicolas Winding Refn’s Drive in which Carey Milligan and Ryan Gosling walk to their respective doors in a hallway, pointing out how the left and right sides give us two separate stories in one composition. Then Zhou moves on, repeatedly slicing the film’s frames in half vertically and horizontally. A model of textbook visual analysis, Zhou gets to the essence of what thoughtful shot composition looks like. Heed Zhou’s wise parting words: “You don’t need Steadicams or cranes or drones, or the latest 4K whatever. You need top, […]
by Vadim Rizov on Feb 2, 2015 -
The Cannes Film Festival Announces Its Jury
With less than a month before the Cannes Film Festival starts up, the jury lineup has been fully unveiled. As announced in January, the jury president will be New Zealand director Jane Campion (Top Of The Lake, The Piano). Now her fellow jurors have been named: • Carole Bouquet, the veteran French actress who made her debut in Luis Buñuel’s That Obscure Object Of Desire • Sofia Coppola, whose The Bling Ring was the divisive opening film of the festival’s 2012 Un Certain Regard slate • Leila Hatami, the Iranian actress best known internationally as the star of Asghar Farhadi’s […]
by Vadim Rizov on Apr 28, 2014 -
Bangkok Dangerous: Nicolas Winding Refn on Only God Forgives
A superviolent and supremely strange Bangkok nocturne, Only God Forgives is Nicolas Winding Refn’s follow-up to his Cannes award-winning pop culture sensation Drive. This film, sure to be nowhere near as popular, is a distinctly less accessible affair. One senses that the filmmaker, a born contrarian, takes a certain pleasure in this. In both Thai and English, it meditates on a white man who trains child fighters and runs a family-operated drug ring with his brother. When said brother is dispatched via some brutal south Asian justice involving really sharp swords (after he is found to have rapped and killed […]
by Brandon Harris on Jul 19, 2013 -
Cannes 2013: Soderbergh’s Behind the Candelabra and Refn’s Only God Forgives
If Behind the Candelabra is Steven Soderbergh’s last film before he retires to pursue other interests, it serves as a fitting tribute to his fascination with celebrity and to his ability to depict complex emotional relationships in an accessible and engaging fashion. The film depicts the tumultuous relationship between Liberace (Michael Douglas) and his lover, Scott Thorson (Matt Damon), during the last few years of the pianist’s life, relating the story primarily from Scott’s perspective as he is welcomed to see behind Liberace’s widely recognized stage persona and to gain access to the person behind the image. When the film […]
by Chuck Tryon on May 22, 2013 -
NICOLAS WINDING REFN DOC HITS YOUTUBE
Last week on the blog, I linked to a great piece by Nicolas Winding Refn on the obscure exploitation director Andy Milligan. Now, though, it’s the Drive helmer himself who’s in the spotlight, as he’s the subject of an hour-long portrait by French documentarian Laurent Duroche, NWR, which is available to watch on YouTube. As you’ll discover from the very first minute — when we first see and then hear Alejandro Jodorowsky talking French in his distinctive Chilean tones — this is a film without subtitles. But the good news is that Refn is fluent in English and the majority of […]
by Nick Dawson on Jun 20, 2012 -
NICOLAS WINDING REFN NARRATES A SCENE FROM “DRIVE”
We here at Filmmaker haven’t been able to stop talking about Drive since we saw it a few months ago. Nicolas Winding Refn‘s first foray into the mainstream is a fresh take on the crime thriller with an amazing ’80s electronica score and just enough violence and gore to settle the appetite of those who loved Bronson and Valhalla Rising. Over at the New York Times, Mekado Murphy produces this excellent video piece narrated by Refn that breaks down one of the getaway scenes in Drive. Want more Refn talking about Drive? Check out our interview with the Danish director. […]
by Jason Guerrasio on Sep 15, 2011 -
Nicolas Winding Refn, Bronson
TOM HARDY AS THE EPONYMOUS LEAD IN WRITER_DIRECTOR NICOLAS WINDING REFN’S BRONSON. COURTESY MAGNOLIA PICTURES. At a time when Danish cinema boasts a large number of first rate directors, Nicolas Winding Refn stands out among his peers for his raw talent and ambition. The son of filmmaker Anders Refn, Refn was born in Copenhagen in 1970 but spent much of his teenage years living in New York, which had a great impact on his cinematic sensibility. He started film school at the American Academy of Dramatic Arts, but was expelled for throwing a desk at a wall, one of a […]
by Nick Dawson on Oct 9, 2009
