Nicole Holofcener
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“I Observe Human Behavior With Such Pleasure”: Nicole Holofcener on You Hurt My Feelings
It’s no surprise that Nicole Holofcener prides herself in thinking that she can always tell when people are lying to her about her work. After all, she’s as observant as writer-directors come, able to portray even the slightest nuances in idiosyncratic human behavior across the likes of Please Give, Friends with Money, and Enough Said. “There are certainly some tells,” she says, during a recent Zoom interview with Filmmaker on her latest feature You Hurt My Feelings, centered on the white lies we tell loved ones about their work in order to, well…not hurt their feelings. “The bad ones are […]
by Tomris Laffly on May 25, 2023 -
Trailer Watch: Nicole Holofcener’s You Hurt My Feelings
After premiering at Sundance earlier this year, a trailer and release date have arrived for Nicole Holofcener‘s latest, You Hurt My Feelings. The film stars Julia Louis-Dreyfus (who previously starred with James Gandolfini in Holofcener’s 2013 effort Enough Said) as a struggling author and instructor at the New School in Manhattan who receives unexpected negative feedback about her forthcoming book. Also starring are Tobias Menzies, Owen Teague, Michaela Watkins, Arian Moayed and Jeannie Berlin. In my review out of Sundance, I wrote: The real crux of the film’s story involves Beth overhearing her therapist husband Don (Tobias Menzies) voicing his […]
by Natalia Keogan on Mar 21, 2023 -
Sundance 2023: Eileen, You Hurt My Feelings, Landscape with Invisible Hand
At this point, it’s a running joke that any indie film worth its salt will have an extended scene featuring a woman pissing. Not just a woman sitting on the toilet, underwear around her ankles—the trickle of her stream must be fully perceptible to the viewer’s ear, subversive in its unvarnished or gritty exploration of the female experience (even with my sparser-than-usual Sundance viewing schedule this year, I’ve still clocked one extended instance of this). If a filmmaker is really being edgy, a blood-soaked tampon may appear on screen, or perhaps sparse droplets of menses slowly descending down a thigh. […]
by Natalia Keogan on Jan 28, 2023 -
Back to One, Episode Two: Emily Mortimer talks Her Breakout Film, Being Right and Wrong for the Part, and Aaron Sorkin
Emily Mortimer is perhaps best known for her role as MacKenzie McHale in Aaron Sorkin’s beloved HBO series The Newsroom. Some of her other memorable performances are in Woody Allen’s Match Point, Martin Scorsese’s Shutter Island and Hugo and, as Phoebe, Jack Donaghy’s love interest, on the NBC series 30 Rock. In this hour she talks extensively about one particular, powerful scene in her breakout film, Nicole Holofcener’s Lovely & Amazing (which earned her an Independent Spirit Award for Best Supporting Actress), and about what it was like to play a character named “Emily Mortimer” in her HBO series Doll […]
by Peter Rinaldi on Apr 24, 2018 -
IN PRODUCTION: “DEVIL’S KNOT,” “UNTITLED NICOLE HOLOFCENER PROJECT,” “CAN A SONG SAVE YOUR LIFE?” AND “ONE SQUARE MILE”
“In Production” is a regular column which focuses on notable independent films that are currently shooting. After four documentaries (three of which were produced by HBO, the other by Peter Jackson and Fran Walsh), the story of the West Memphis Three gets the narrative treatment courtesy of director Atom Egoyan (The Sweet Hereafter). Devil’s Knot focuses on three young men, Damien Echols, Jason Baldwin and Jessie Misskelley Jr. who were wrongfully accused of murdering three children as part of a satanic ritual. Appearing in the lead roles are newcomer James Hamrick (a Wesleyan drama student) as Echols, Seth Meriwether (Trouble with the Curve) as […]
by Byron Camacho on Aug 13, 2012 -
“PLEASE GIVE”‘s NICOLE HOLOFCENER | By Jason Guerrasio
This piece was originally printed in our 2010 Winter issue. In a New York Times piece written last month on the commercial success in 2009 of films aimed at female audiences (Twilight: New Moon, Julie & Julia, The Proposal), critic Manohla Dargis also took note of the relative paucity of female directors in Hollywood. Sure, there’s Kathryn Bigelow, who won many critic’s Best Director awards with The Hurt Locker, and there are Nora Ephron, Ann Fletcher and a few others but, for the most part, wrote Dargis, “Only a handful of female directors picked up their paychecks from one of […]
by Jason Guerrasio on Jan 22, 2010
