Nina Menkes
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Trailer Watch: Nina Menkes’s Brainwashed: Sex-Camera-Power
Independent filmmaker Nina Menkes (Queen of Diamonds, The Bloody Child, Phantom Love) returns with Brainwashed: Sex-Camera-Power, a documentary that uses clips from hundreds of films to demonstrate the pervasiveness of the male gaze in the dominant cinematic canon—and the real-world misogyny that Menkes believes these depictions abet. Originally conceived as a presentation that the filmmaker gave at film festivals or as stand-alone talks, the documentary takes images from films like Vertigo, Once Upon a Time…in Hollywood and Titane in order to make its argument. The film also features an array of prominent women and non-binary industry figures speaking to the […]
by Filmmaker Staff on Sep 26, 2022 -
“120 Years of the Male Gaze On Our Backs”: Nina Menkes on Brainwashed: Sex-Camera-Power
“Perception is not whimsical, but fatal.” — Ralph Waldo Emerson Movies turn viewers into willing participants looking to break through the screen—the “fourth wall”—and temporarily adopt the POV of the camera and taking on its surveying gaze. Your own emotional response may vary—excitement, titillation, utter boredom—but the camera’s eye is your own, if only for the duration of the film. In her landmark essay, “Visual Pleasure and Narrative Cinema,” written in the 1970s, scholar and filmmaker Laura Mulvey introduced the concept of the “male gaze,” arguing that the camera’s eye was inherently male and could often be misogynistic in its depiction […]
by Erik Luers on Feb 4, 2022 -
“The Visual Language of Cinema was Connected to Both Sexual Assault and Employment Discrimination” | Nina Menkes, Brainwashed: Sex-Camera-Power
The last two years have prompted much contemplation and reconsideration of the reasons why we make our films as well as the ways in which we make them. What aspect of your filmmaking—whether in your creative process, the way you finance your films, your production methodology or the way you relate to your audience—did you have to reinvent in order to make and complete the film you are bringing to the festival this year? Those people who are familiar with my work know that my films have always come to me from the inside. Images appear before my mind’s eye […]
by Filmmaker Staff on Jan 22, 2022 -
Splitting Off from Powerlessness: A Conversation with Director Deborah Kampmeier
2016 might have been the year when the dire position of women film directors finally broke into wider consciousness. After a monumental effort, spearheaded by Maria Giese, the ACLU and the Equal Employment Opportunity Commission (EEOC) agreed to hold major film studios, TV networks, unions and agencies to account, citing Title VII violations in all perimeters. 2016 was also the year the Cannes International Film Festival proudly announced that they showcased “only” 86% male directors — down from their average of 93%. Yet even as dismal statistics prove women are severely discriminated against at every level of film production and […]
by Nina Menkes on Jun 20, 2017 -
The Jerusalem (and Sderot) International Film Festivals 2016
The 33rd Jerusalem Int’l Film Festival celebrated the 30-year anniversary of Avanti Popolo (1986), directed by Rafi Bukai, with the premiere of a newly completed digital restoration. Now considered an Israeli classic, the film is set during the last days of the Six Day War. The story focuses on two Egyptian soldiers (played by two Palestinian actors) who are trying to get out of the Sinai desert war zone and back home to safety in Cairo. Unusual for an Israeli feature: the Arab soldiers are positioned as the central, sympathetic protagonists. Even more unusual: they ultimately join up with three Jewish […]
by Nina Menkes on Jul 18, 2016 -
The Cult Appeal of the Creative Capital Retreat
“Creative Capital is a cult,” said Phillip Andrew Lewis at the end of his presentation at the art funder’s semi-annual retreat this past weekend at Williams College in Williamstown, MA. “But it’s a good cult.” Lewis’s was both a good line and an appropriate capper to his presentation, which shocked right from the outset. The installation artist began his talk by saying he had been held captive as a child for two years within a radical drug treatment program sponsored by the U.S. government. “I consider my work a form of deprogramming,” he told the stunned audience. For the record, […]
by Scott Macaulay on Aug 2, 2012 -
CREATIVE CAPITAL ANNOUNCES 2012 FILM AND VIDEO GRANTEES
At a reception last night at the Ronald Feldman Gallery in New York, Creative Capital announced its 2012 Film & Video and Visual Arts grantees. Among the media artists are a number of names familiar to Filmmaker readers, including 25 New Face directors Cam Archer, Matt Porterfield and Yance Ford. Others who received grants include L.A.-based director Nina Menkes, veteran experimental filmmaker Ken Jacobs, and Rooftop Films head Mark Elijah Rosenberg, who, as a director, will tell “a multimedia, fictional story of an astronaut heading to Mars alone on a one-way mission.” “Our grantees span artists from 27 years old […]
by Scott Macaulay on Jan 13, 2012
