Since the 2012 Sundance premiere of Hunger in Los Angeles — a virtual reality piece derived from an actual incident in which a man had a diabetic seizure while waiting in line at a food bank — Nonny de la Peña has become one of the most celebrated artists in the VR world of immersive journalism. With One Dark Night, the “godmother of virtual reality” (as Endgadget dubbed her) has set her sights on another in-the-blink-of-an-eye tragedy — the killing of Trayvon Martin while the unarmed African-American teen was visiting his father’s fiancée’s condo complex in Sanford, Florida. Through 911 […]

Last year’s New Frontier section of the Sundance Film Festival included 11 virtual reality projects, helping sanction a technology that, like 3-D, has come and gone several times in the past but suddenly seems to be everywhere. Filmmakers, game designers, media artists and storytellers of all kinds are exploring a new language of story experience, while culturally, pundits are pondering the benefits, and problems, of VR, as evidenced in Maria Konnikova’s “Virtual Reality Gets Real” piece in the October 2015 issue of The Atlantic. Last April, The New York Times Magazine took things a step further with a cover for […]

Sundance announced today the lineup for their annual New Frontier program, taking place Friday, January 20 through Saturday, January 28 as part of the 2012 Sundance Film Festival.  This year’s lineup features installations from multimedia artists such as Gravity Was Everywhere Back Then director Brent Green, 0100101110101101.org creators Eva & Franco Mattes, and indie gaming company Molleindustria. Now in its sixth year, New Frontier provides a venue for innovative media installations, multimedia performances, transmedia experiences, and panel discussions.  For the first time, the program will be taking place simultaneously at two locations: The Yard (1251 Kearns Blvd.) in Park City […]