The 2017 FilmGate Interactive Media Festival, which took place February 3-5, was a bit different from prior editions I’ve attended. For one thing, the fest was now headquartered in the heart of Hurricanes-land — over Super Bowl weekend no less — at the University of Miami School of Communication (rather than in trendy South Beach). For another, accommodations this time included a lovely historic house rented in Coconut Grove, where I found myself one of four born-and-bred Americans, along with three other artists originally hailing from India, Serbia and Turkey. Very Real World meets virtual reality. But perhaps the biggest […]
by Lauren Wissot on Feb 12, 2017This year’s DOK Neuland, DOK Leipzig’s interactive component (housed in what resembled an intergalactic pop-up tent in the beautiful, wide open Markt) allowed me a second chance to experience what will surely go down as the best work of virtual reality seen widely in 2016. Fortuitously, I’d been able to catch Notes on Blindness: Into Darkness — the accolade garnering (Storyscapes Award at the Tribeca Film Festival, the Alternate Realities VR Award at Sheffield Doc/Fest) VR companion piece to Peter Middleton and James Spinney’s much heralded documentary — at the charming Savannah Film Festival’s VR Showcase just the week before. […]
by Lauren Wissot on Dec 26, 2016An entry in the New Frontier program at Sundance 2016, Notes on Blindness began in 2013 as a four-minute short from writer/directors Pete Middleton and James Spinney. The film attempted to capture the sensory experience of blindness through the audio diary of John Hull, a writer and theologian who had lost his sight. The following year, Middleton and Spinney adapted Notes on Blindness into a longer New York Times Op-Doc. Now, they have adapted this story to a feature length. Below, Notes on Blindness DP Gerry Floyd speaks to how he and the directors sought to offer a “sensory insight” into blindness. Filmmaker: How and […]
by Soheil Rezayazdi on Jan 30, 2016In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? Two hidden stories spring to mind. The first is of John’s decision to share his account of […]
by Soheil Rezayazdi on Jan 29, 2016