Sundance regular Patrice Cochet has served as DP on four films at the festival since 2002: Better Luck Tomorrow, The End of Love, The Good Life and, as of this year, Joshy. Cochet speaks below about the perils of lighting improv, DPing on little prep and shooting on the Alexa. In addition to Joshy, the prolific Cochet has at least six other films set for release in 2016. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Cochet: Joshy was a film that Producers […]