English actor Tuppence Middleton is on a steady, slow rise and that seems to suit her just fine. On this side of the pond she’s perhaps best known for playing Riley Blue on the Netflix sci-fi series Sense8 and Lucy Smith in the Downton Abbey movie, but you’d be foolish not to seek out her work in Trap For Cinderella and War and Peace. Now she’s part of the impressive ensemble in David Fincher’s latest film Mank. She plays “Poor Sara” Mankiewicz, wife of the alcoholic co-writer of Citizen Kane, played by Gary Oldman. I ask her about working with […]
by Peter Rinaldi on Dec 8, 2020From Parks And Recreation to Legion, from indie film queen to The Happiest Season, Aubrey Plaza is not done surprising us. Everybody’s favorite late-night talk-show guest and hilarious awards-show host rarely gets to show off the serious roots of her acting chops. Enter Black Bear. The Sundance hit from Lawrence Michael Levine stars Plaza as a former actress on a writing retreat opposite Christopher Abbott and Sarah Gadon. Further description is not only pointless, it can be detrimental to your enjoyment of the film. Let’s just say it’s worth your time, in large part because of the emotional territory Plaza […]
by Peter Rinaldi on Dec 1, 2020It’s become a tradition to have actor’s actor Kevin Corrigan on the show every year. This is his third visit (his first two episodes are #1 an #67). Sitting down with the wise sage of indie film always ends up being both a reset and recharge. He has a way of speaking about this art that helps bring us back to the root of what it’s all about: connection, empathy, being alive. In this hour, he tells us about a life-changing event that happened right after wrapping work on the Showtime series Ray Donovan, and how the effects reverberate throughout […]
by Peter Rinaldi on Nov 24, 2020There was a meme floating around the interwebs in early April. It consisted of two photos of Donald Glover. On one from, I think, Community, where he is clean cut, smiling and drinking coffee, the caption reads: “New Year’s Day, Looking Forward to 2020!” Next to it was the “Three Months Later” photo; it’s a shot from a Childish Gambino video where he’s shirtless and holding a shotgun. My January 2020 pretty much mirrored Donald Glover’s sunny optimism. I had just received a contract to direct a long-gestating film of mine, which had been optioned by a French company […]
by Frank Hudec on Nov 16, 2020With mesmerizing performances in such series as Luther, Mrs. Wilson, and The Affair, Ruth Wilson has established herself as one of our great actors. Her latest is the deliciously sinister Marisa Coulter on the hit fantasy series His Dark Materials. In this episode she explains the fascinating way she’s been able to build the multi-dimensional aspects of that character, and the challenge of hitting the proper balance when playing such a larger-than-life villain. She talks about the meditative aspect to her process, the invigorating power she gets from the theater, and how the energy of the audience affects her performance […]
by Peter Rinaldi on Nov 10, 2020Carrie Coon has quietly built a reputation as an acting powerhouse though a collection of phenomenal performances in television shows like The Leftovers, Fargo, and The Sinner, and movies such as Gone Girl, The Post, and her latest, The Nest. In this episode, she talks about the paramount importance of breath work, using “touchstones” for emotional connection, her first experience on the New York stage in Who’s Afraid of Virginia Woolf, the quarantine film education she’s getting with her husband, Tracy Letts, and much more! Back To One can be found wherever you get your podcasts, including Apple Podcasts, Google […]
by Peter Rinaldi on Sep 15, 2020In these last 10 years, stage and screen veteran Peter Friedman has enjoyed a steady flow of work, more than the first 30 years of his career. Recently, he got raves for his Polonius in Sam Gold’s production of Hamlet at the Public Theater, had a recurring role on the Hulu series The Path, and now plays Frank Vernon on the hit HBO show Succession. On this episode, he talks about how being the “new kid in class” as a day-player on set makes him nervous, why it’s ok to dismiss work that doesn’t speak to you, how performing with […]
by Peter Rinaldi on Jun 3, 2020Miriam Shor is unrecognizable as Lorraine Ela in the powerful new Netflix film Lost Girls. It’s the kind of performance that doesn’t feel performed, that doesn’t get recognized often because it’s invisible. We talk about that phenomenon this half hour, and break down a hilarious moment from the show Younger, where Shor played the beloved character Diana Trout. She talks about the importance of feeling like she is in collaboration with a director, and how being cast in a role you don’t think you’re “right for” can help you grow. Plus much more! Back To One can be found wherever […]
by Peter Rinaldi on Mar 25, 2020I remember when I first saw Zach Woods. It was in the Armando Iannucci film In The Loop. His comedic sensibilities matched so perfectly with what I demanded as a consumer of comedy—bold choices, molded in subtlety, grounded in reality. He has continued to morph and advance his style with unforgettable roles on The Office, Silicon Valley, and now again for Iannucci on Avenue 5, where he plays cheerful nihilist Matt Spencer, Head of Customer Relations. In this inspirational episode, we have a far-reaching conversation on his approach to the craft and the industry in general. Summary: the greatest comedic […]
by Peter Rinaldi on Mar 11, 2020It’s time we stop taking the preternaturally gifted British actor Andrea Riseborough for granted. She transforms so completely into her characters (appearance, accent, posture, mannerisms) that it’s easy to just believe she is the character and hard to measure her talents because we don’t know what “default Andrea Riseborough” is like. One thing is crystal clear though. She’s simply one of the best we have. On this, the 100th episode of Back To One, she talks about being surprised by the reactions to her chameleon-like abilities, how she uses the shooting environment (no matter how difficult) to fuel her work, […]
by Peter Rinaldi on Mar 10, 2020