Every year, the Camden International Film Festival manages a nifty magic trick. Its ambition swells within the concise duration of what amounts to a holiday weekend (if the second Friday of September was deemed, say, National Non-Fiction Day), with the same handful of venues, including two opera houses and a gorgeous vintage bijou, in three adjacent towns in northern seaside Maine. Marking its 15th year this September, CIFF–produced under the umbrella of the Points North Institute – consistently ups the stakes for filmmakers and audiences, without suffering from the dreaded festivalitis: the condition that arises when film festivals become all […]