Keeping on top of the media conversation in 2017 has begun to feel more like an exercise in self-harm than consumption. The dirty laundry is exhaustive and exhausting; we are quick to expose and defile, but quicker to move onto the next victimizer, leaving little lasting resolution in the wake of the penultimate upheaval. At the movies, we look for meaning where we can get it. Plots are politicized to the point where the once ghettoized “issue film” is mutating into standard grade. Even if the latest Thor joint is raking it in at the box office, cotton candy escapism […]
by Sarah Salovaara on Nov 21, 2017Jonathan Olshefski spent a decade filming the Rainey family. He’d visit the family’s home often without a camera, simply to spend time with Quest, his wife and their children. As he notes in his interview with Filmmaker, this longterm commitment allowed him to “fade into the background and record natural scenes where the camera was not intrusive.” His documentary feature debut, Quest offers an intimate, vérité-like portrait of a black family in Philadelphia. Below, Olshefski speaks about the genesis of the project, his documentary influences and serving as his own DP. Quest made its world premiere at the 2017 Sundance Film Festival. Filmmaker: How and why did you […]
by Filmmaker Staff on Jan 25, 2017Antonio Santini and Dan Sickles’ Dina is incredibly hard to write about without exposing my underlying biases. Shot by DP Adam Uhl in almost entirely rigorously locked-down static 1.66 (!), Dina tracks the uneasily evolving relationship between its title subject and fiance Scott in the months up to and after their wedding. (She’s the main subject, he the supporting player: the end credits cutely add his name to the title.) Both are, by their own admission and diagnosis, somewhere on the spectrum — where precisely is unclear, as it so often is — and in something like love. The major issue, which becomes increasingly […]
by Vadim Rizov on Jan 22, 2017