Five weeks is not an unusually truncated preproduction period for a cinematographer on a modestly budgeted independent film like Passing. However, the interval between landing the gig and starting that work is typically longer than the time needed to pack a suitcase. That’s the extent of the notice Spanish DP Edu Grau had before hopping aboard the project—and a flight to New York—after a last-minute crew change left Passing director Rebecca Hall without a cinematographer on the eve of prep. “Rebecca called me on a Saturday, and I jumped on a plane the next day to start prepping the movie,” […]

Before the recently-completed IFP Week fades too far from memory, we’ll wrap up our coverage with something new: an IFP Instagram Diary. We’ve already clocked how many times the words “branded,” “followers” and “content” were used at the event, and apparently social media is the future. Who knew? When Refinery29’s CCO Amy Emmerich urged during a panel, “Paramount Pictures should not be above Snapchat,” well, we figured we should hop on the social media bandwagon too. No, we don’t have a Snapchat yet – we will? The tag line for the conference, “Everybody Gets Creative,” acknowledges the way we’re all […]

Christine certainly isn’t a coming-out performance for Rebecca Hall, a prominent and regular presence at the multiplex since her breakthrough part in 2006’s The Prestige. But her turn as Christine Chubbuck in Antonio Campos’s Christine (out this October from The Orchard) is a devastating assault on a part of unusual complexity. Chubbuck was a Sarasota, Florida, TV journalist who shot herself live and on-camera in July 1974. In the absence of much biographical information, Craig Shilowich’s script portrays Chubbuck as a vector of dueling, uncontrollable contradictions. Hall nails a number of different personality conflicts: she’s a sometimes-beloved colleague with loyal […]