The Columbia, Missouri-based True/False Film Festival kicks off its 23rd edition, one that boasts a particularly exciting lineup of non-fiction films, musical performances, and coinciding art installations. Running from March 5–8, the theme for the 2026 program is “You Are Here,” chosen by visiting artistic director Yance Ford. The director of acclaimed docs Strong Island (2017) and Power (2024) is intimately familiar with the politics of place: Nominated for an Academy Award, Strong Island documents the racially-motivated killing of Ford’s brother in Long Island; more broadly, Power charts the creation of modern American policing. Both films have screened at previous […]
by Natalia Keogan on Mar 5, 2026
You don’t need to have watched Ross McElwee’s films over the years in order to be moved by Remake, in which his ongoing saga of art and life collides in freshly shattering ways with the unlikely prospect of a Hollywood deal and the unthinkable death of his son Adrian. But if you have been following along (or catching up) with his journey from Sherman’s March through to Photographic Memory, the personal loss can all feel that much more poignant, as if you know him personally. That’s a function of his incredibly skillful, essayistic voice (and voiceover), in movies that are—as […]
by Nicolas Rapold on Sep 11, 2025
Now in its nineteenth year, the Fantasia International Film Festival is known as one of the premier destinations for exciting genre cinema. With a focus primarily on horror, Asian genre fare, and more indescribable film art, this three-week Montreal festival annually takes over Concordia University and other venues to entertain in provocative fashion. And while there are many goings-on taking place concurrently within the city (such as the massive Just For Laughs comedy fest and Osheaga’s live music performances), Fantasia always seems to hold a special place in the province of Quebec. “We’re not a subtle event,” co-director Mitch Davis noted […]
by Erik Luers on Jul 31, 2015
Trailers have the ability to psyche us up, freak us out, turn us off, and lead us very, very astray, but the heightened anticipation (they don’t call them teasers for nothing) is part of the fun, regardless of how accurate a representation of the film that cleverly constructed little bugger ends up being in the end. Here’s a little commentary on a selection of recent genre trailers; let’s both judge a book by its cover and appraise the cover itself. THE SNOWTOWN MURDERS (Justin Kurzel, in theaters March 2nd) I always feel wary of trailers that start off […]
by Farihah Zaman on Feb 17, 2012NAOMI WATTS AND TIM ROTH WITH UNWELCOME VISITORS MICHAEL PITT AND BRADY CORBETT IN DIRECTOR MICHAEL HANEKE’S FUNNY GAMES U.S. COURTESY WARNER INDEPENDENT PICTURES. Michael Haneke is a director who makes films strictly on his terms, and — as his new movie demonstrates — writes his own rules if he doesn’t like the existing ones. The son of an actor-director father and an actress mother, Haneke was born in Munich, Germany, and grew up just outside the Austrian capital, Vienna. He attended the University of Vienna, where he studied philosophy, psychology and theater. Over the course of the 70s and […]
by Nick Dawson on Mar 14, 2008