While GoPros shoot great action footage, there’s some effects you may want that can only be achieved through filters. Fotodiox offers a filter set and mount to offer more control over your GoPro image with their GoTough filter adapter and WonderPana filters. I tested out a set with the HERO 3+. The kit really depends on the housing used, so it can work with a HERO3 or HERO4 too and there’s an adapter for older HERO3 housings. The kit comes with a 53mm filter adapter, UV, ND8, and a polarizer filter. Because of GoPro’s auto settings you won’t see much of […]
by Joey Daoud on Apr 13, 2015If there ever was a piece of gear that I’ve experienced a Goldilocks dilemma with, it’s my camera bag. Or bags: different jobs call for different bags and configurations, so I’ve gathered a few over the years. Recently I’ve gotten to put a classic through real world use, the Chronicle from Domke’s updated Next Generation Journalist Series. Domke is an iconic camera bag you usually see slung around the shoulders of journalists out in the field (or movies, like The Bang Bang Club). The Chronicle is a medium sized bag that feels extremely sturdy and well built. It’s got a […]
by Joey Daoud on Apr 12, 2015There’s a lot less to worry about when transferring footage off your camera than during the days of film (light leaks, scratches, unspooling, developing errors). But the copying of 1s and 0s from one form of media to another isn’t always flawless, and with the amount of files generated, organization is key. To help with the process, Red Giant has released Offload – a very basic piece of software that serves one purpose – get the footage off your media cards and onto hard drives quickly and securely. Now, this isn’t the first piece of software to do this. I’ve been […]
by Joey Daoud on Apr 12, 2015We expect a lot from Quentin Tarantino. A generation ago, we lined up in the cold and fought for tickets to behold the next Kubrick opus or the latest Star Wars episode. Today we do it for QT. This time, he unleashes Django Unchained. It’s an historical shoot-em-up drama set in the antebellum era of the American South. Django (Jamie Foxx) is a slave-turned-bounty hunter who sets out to rescue his wife (Kerry Washington) from a sadistic plantation owner (Leonard DiCaprio). At his side is his mentor, a German bounty hunter named Dr. King Schultz (Christoph Waltz who brilliantly played […]
by Allan Tong on Dec 21, 2012A mainstream production with a mainstream star, Sinister employs such horror movie tropes as a nice family moving into a new house with a past, the supernatural traveling through photographs and movies, and suspiciously troubled children. Yet despite its potentially cliché setup, the film feels unexpectedly fresh; a mash-up of ghost story, serial killer thriller, and Ringu-style photo-phobia that is more than the sum of its parts. The film is anchored by a story of believable domestic strain, and probes slightly deeper than many films in its exploration of the primal idea that images, like the film itself, represent a […]
by Farihah Zaman on Oct 12, 2012The title is ironic: The conversation never happens. (Kevin’s mom suggests it in a voiced-over letter to her husband, but, if it is even sent, it is — seemingly — ignored.) Eva (the chameleon-like Tilda Swinton, brilliant as ever) and Franklin (John C. Reilly) are the parents of a troubled boy who tortures his mother with line-crossing defiance. (He is played by three kids of different ages. The principal action revolves around the oldest, perfectly portrayed by Afterschool’s Ezra Miller as an intimidating glop of arrogant negativity.) Eva never wanted the unplanned child. She yells much more loudly than necessary during childbirth and appears desolate in her hospital bed. […]
by Howard Feinstein on Dec 9, 2011Movie lovers with a prolonged case of the Munchies could soon be sated. Indie-pure director Christopher Munch is back, in fine form, with his latest film, Letters From the Big Man. Munch imbues his works with a distinct nostalgic longing. The Germans have a precise word for it: Sehnsucht. He explores that chaotic region where two forms of desire butt up against each other: the wish for a more perfect world, for one, usually depicted as majestic nature and whatever beauty man might have put into it (the old, deserted railroad in Color of a Brisk and Leaping Day) — […]
by Howard Feinstein on Nov 7, 2011