At sea — we have all felt it, paradoxically unmoored even in our hyper-connected age. In only two pictures, that sense of disconnection, emotional confusion and fear is the metier of New York-based writer/director J.C. Chandor. His 2011 debut film, Margin Call, was a tightly focused drama about Wall Street traders fighting for their financial lives amidst the economic meltdown. Unfolding over 24 hours, Margin Call is a talky and claustrophobic movie plumbing the specific ethical quandaries of our current political moment. Assuredly directed and extremely well-acted, it would seem to have set Chandor up to make any number of […]
by Scott Macaulay on Oct 21, 2013I’ve been considering many cold opening quotes to this “During Sundance” blog ranging from, “Bagels again?” to, “Marina Abramovic is in the next bathroom stall!” I’ll let Robert Redford start it with, “There’s Sundance here,” as he points towards the floor at the Directors Brunch “And then there’s Park City,” he indicates down the mountain. “Park City is not Sundance.” We directors nod. Bob understands. We won’t buy into the machine of the market place. Our film is already the gold and Bob is warning us to stay grounded. We then instantly bum rush him as soon as his speech […]
by Erin Greenwell on Jan 26, 2012On its simplest level Cindy Meehl’s documentary Buck tells the story of the cowboy Buck Brannaman, a horseman who travels the United States conducting clinics for “horses with people problems.” First-time director Cindy Meehl met Buck at one of his clinics, and wanted to share his wisdom with a wider circle than the ardent fans he’s built among “horse people.” A wise cowboy, eh? It doesn’t help that the film opens with iconographic Western shots: a cattle herd, a yellow sun, and galloping cowboys, all underlined by David Robbins’ thrumming score. I admit I was a bit skeptical. The census […]
by Susanna Locascio on Nov 9, 2011At a Los Angeles press conference today, Sundance Institute Executive Director Keri Putnam announced an expansion of the organization’s Artist Services Initiative that will bring independent films to digital platforms. Exclusively partnering with aggregator New Video, Sundance is offering its festival and lab films distribution opportunities on iTunes, Amazon, Hulu, Netflix and SundanceNOW. Filmmakers will retain ownership and control of their titles, will be free to publicize and market them, and Sundance will conduct its own marketing efforts as well as leverage the potency of its brand to gain the films wider audiences. Commented Putnam, “By acting as a conduit […]
by Scott Macaulay on Jul 27, 2011Last week from the Sundance Film Festival Filmmaker ran a series of videos sponsored by Kenneth Cole highlighting the work of volunteers at the festival. Each year, 1,600 volunteers descend on Park City and help make the festival a good experience for both filmmakers and audiences. And each year Cole, a Sundance Institute board member, designs and donates a sleeveless down vest to the volunteers. This year those vests are for sale at Kenneth Cole stores and at Sundance’s online festival store. A percentage of the net profits from the sale is donated to the Sundance Institute. Below, in this […]
by Scott Macaulay on Feb 3, 2011Here we highlight the stills Jamie Stuart took while shooting interviews for the site. Check out his videos from Sundance here.
by Jason Guerrasio on Jan 31, 2011The following letter, drafted from materials provided by Donaldson and Callif, is an update on an amicus brief filed in support of filmmaker Joe Berlinger. If you’re not familiar with the situation regarding his film Crude and Chevron, please read the below and then this editorial by Robert Redford detailing the importance of this case. On June 23, 2010, the IFP joined thirteen other organizations and nine individuals in signing an amicus brief in support of filmmaker Joe Berlinger, who was ordered to turn over 600 hours of outtakes from his documentary Crude to petrochemical company Chevron Corporation. Chevron, threatened […]
by Scott Macaulay on Jul 6, 2010A powerful statement from U.S. directors calling for the release of director Jafar Panahi from prison in Iran has been issued. I’ll let the petition speak for itself, but kudos to the organizers for taking action and assembling this illustrious group. New York, NY (April 30, 2010) – Jafar Panahi, an internationally acclaimed Iranian director of such award-winning films as The White Balloon, The Circle, Crimson Gold and Offside, was arrested at his home on March 1st and has been held since in Tehran’s notorious Evin prison. A number of filmmaking luminaries have come to Mr. Panahi’s defense and “condemn […]
by Scott Macaulay on May 1, 2010Redford on this year’s Sundance on Yahoo: “It’s gotten to the point now — almost to a breaking point — where there’s a fever that has taken over the festival that creates an enormous amount of chaos and excitement and tension,” the 68-year-old actor said in a recent interview with The Associated Press. “It’s gotten a little bit harder on me… “The festival that we do is the same one as we did the first year,” he said. “We program it exactly the same every year, which is for new voices and more experimental films.” The difference now, Redford said, […]
by Scott Macaulay on Feb 23, 2006