In the lead-up to the Gotham Independent Film Awards on December 2nd, IFP announced it will hold a screening series to highlight the nominees of the Bingham Ray Breakthrough Director Award. From Thursday, November 21 through Saturday, November 23, the category’s five directorial debuts will screen at the new Made in NY Media Center by IFP in Dumbo. The films are Stacie Passon’s Concussion; Ryan Coogler’s Fruitvale Station; Adam Leon’s Gimme The Loot; Alexandre Moors’ Blue Caprice; and Amy Seimetz’s Sun Don’t Shine. Adam Leon, Alexandre Moors, and Sun Don’t Shine lead actors Kentucker Audley and Kate Lyn Sheil will be on hand for a Q&A following their respective screenings. […]
by Sarah Salovaara on Nov 13, 2013The following is a guest post by writer/director Deb Shoval, whose debut feature AWOL participated in the 2013 IFP Narrative Labs. Nine months ago, I sat down with the endlessly generous Stacie Passon, the writer/director of Concussion, for some words of wisdom on making the low budget, indie first feature. Her biggest piece of advice? Get AWOL into the IFP Narrative Labs. Fast forward to Part 2 of 3 of the yearlong lab fellowship: IFP Week. Stacie, now an IFP Narrative Lab mentor, gets into more detail. Passon: Now if my son comes in during this interview and starts whining, […]
by Deb Shoval on Oct 30, 2013IFP this morning announced the nominations for the 2013 edition of the Gotham Independent Film Awards, with Steve McQueen’s Oscar front-runner 12 Years a Slave leading the pack with nods in three categories, Best Feature, Best Actor and Breakthrough Actor. Receiving two nominations were Alexandre Moors’ Blue Caprice, Stacie Passon’s Concussion, Ryan Coogler’s Fruitvale Station, Joel and Ethan Coen’s Inside Llewyn Davis and Shane Carruth’s Upstream Color. Commenting on today’s release, Joana Vicente, Executive Director of IFP and the Made in NY Media Center, said, “The Gotham Awards celebrate and showcase the very best of the vibrant, entertaining, challenging, and innovative films presented by our community, and help new […]
by Nick Dawson on Oct 24, 2013Tonight it was announced that The Weinstein Company’s offshoot RADiUS-TWC had bought U.S. rights to Stacie Passon’s Dramatic Competition title Concussion. The debut from writer/director Passon, the film is about a fortysomething lesbian housewife (Robin Wiegert) who secretly becomes a prostitute after sustaining a head injury. Passon is on quite a roll in the past few months, having won both the euphoria Calvin Klein Spotlight on Women Filmmakers ‘Live the Dream’ grant at the Gotham Awards and the Adrienne Shelly Director’s Grant in late 2012. Concussion was also chosen to participate in the IFP Narrative Labs in 2012. Multi-platform outfit RADiUS — which puts […]
by Nick Dawson on Jan 22, 2013Stacie Passon’s Concussion has a logline that might be misleading. The story of a bored, lesbian housewife who covertly takes a job as a high-scale prostitute for women, the film is so much more than that high-concept, basic-cable-ready premise implies. Equal parts darkly comedic social satire and gut-wrenching character study, Concussion is anchored by a stunning performance by character actress Robin Weigert, and marks the arrival of a strong new filmmaking voice in director Stacie Passon. The film premieres today in US Dramatic Competition at the Sundance Film Festival. Filmmaker: For a film from a first-time director, Concussion is quite […]
by Jane Schoenbrun on Jan 19, 2013I don’t really know how to describe my conversation with Paul Mazursky. The phone connection was weird, his wife Betsy was trying to control the dog in the background, I was working with this new recording device on my phone and he could hear only every other world I was saying. I was late to watch my kid play soccer so I was rushing and he was so patient but I could tell he was busy too. But halfway through the call I realized I might be in a Paul Mazursky film where everything happens at once, energy is flying […]
by Stacie Passon on Jan 14, 2013Disclaimer: I attended last night’s Gotham Awards in various capacities: as a journalist, as a Best Film Not Playing at a Theatre Near You jury member, and as an IFP staff member involved in the behind-the-scenes running of the show. So my perspective on the event is somewhat fractured. As the Gothams is the first award show of the season, people are always looking to it as a bellwether for the future. Last night, Beasts of the Southern Wild — although not nominated in the Best Feature category — came away with the headlines and further awards momentum, having won two statuettes […]
by Nick Dawson on Nov 27, 2012I’m still in the midst of being part of the IFP Narrative Labs this year. For those of you who are not familiar with the Labs, it’s an intensive year-long mentorship for first-time filmmakers who are through their rough cut and now onto the business of “finishing.” And they’ve been amazing mentors so far. And they’ve connected my team with so many bright people. But the process has gotten me thinking about how and why I started appreciating films and people who do this and what being a first-timer actually means. So as I’m sitting in color correct this week, […]
by Stacie Passon on Aug 24, 2012