“It’s so great that you own a house,” biologist Jane (Jane Adams) says to sister Amy (Kate Lyn Sheil) by phone early in Amy Seimetz’s trippy drama of psychological contagion, She Dies Tomorrow. “This is the best thing you could have done.” Amy has only just moved in, boxes are everywhere, but a new L.A. mortgage hasn’t quelled whatever demons have pushed her to a tremulous and despairing state—Jane can hear it in her voice. “I’ll come over,” Jane says. “Don’t do anything you might regret. Go for a walk. Or why don’t you try watching a movie?” “A movie’s […]
by Scott Macaulay on Jul 7, 2020Digital cinema has afforded independent filmmakers many benefits, one of which is the ability to achieve something previously only the province of big-budget films: very high shooting ratios. However, the resulting mass of footage can overrun the typical understaffed, underfunded, low-budget edit room. “You’re shooting more footage, and usually with two cameras,” says Paul Frank, editor of the recent Maggie Carey comedy The To Do List. While he notes that there are many pros to this way of shooting — it benefits performance, it allows for more improvisation and, ultimately, more options in the edit room — he also notes […]
by Shaun Seneviratne on Oct 21, 2013Sun Don’t Shine, Amy Seimetz’s sun-blasted neo-noir opening today in New York at Cinema Village, stars Kate Lyn Sheil and Kentucker Audley as a couple, Crystal and Leo, on the run in steamy, sweaty Florida. Leo loves Crystal, and he’s not going to let the body in the trunk of their car get between them. Shot strikingly with a rough-hewn style by Jay Keitel and anchored by two powerful performances, the film owes as much to Barbara Loden’s seminal Wanda as it does to noir classics like They Live By Night. Sun Don’t Shine is acutely aware of the ways […]
by Scott Macaulay on Apr 26, 2013Sun Don’t Shine is being distributed by Factory 25 and opens theatrically on April 26, 2013, in NYC and Seattle, in addition to becoming available on VOD. It world premiered at the 2012 SXSW Film Festival. Visit the film’s Facebook page to learn more. NOTE: This review was first published at Hammer to Nail on November 29, 2012, in conjunction with the film’s ‘Best Film Not Playing At A Theater Near You’ nomination. We hear it before we see it. A sharp, resounding slap jumps out from the soundtrack. Milliseconds later, the first jittery, violent, sweaty images of Amy Seimetz’s […]
by Cullen Gallagher on Apr 25, 2013Collaboration may well be Amy Seimetz’s favorite word. Some derivation of the noun weaves its way into the multihyphenate’s emphatic speech when discussing any facet of her decade long career. It’s how she found her footing, and how she has been able to surmount an impressive and far-reaching presence in independent film, and now, television. Seimetz began making films when she was 18, at home in the Tampa-St. Petersburg area, a place she frequently returns to in life and work. Following a short-lived tenure at film school, Seimetz made her way to Los Angeles, where she met the experimental filmmaker […]
by Sarah Salovaara on Apr 3, 2013Catering to virtually every niche, Berlin offers some 70 film festivals each year. Since 2009, the first on the calendar has been the Unknown Pleasures Festival. Held during the first two weeks of January at the historic Babylon Cinema in former East Berlin, it is a work of love run entirely by three enthusiasts of US independent cinema, providing a sorely needed platform for recent American arthouse films. This year’s edition opened on a disappointing note with the German premiere of Michel Gondry’s The We and the I. Typically saccharine and contrived, Gondry’s latest portrays a group of Bronx teens […]
by Giovanni Marchini Camia on Jan 17, 2013Factory 25 announced today that it has acquired world rights to Indiewire’s number one undistributed film of 2012 and SXSW award-winning film Sun Don’t Shine. Written and directed by acclaimed actress/filmmaker Amy Seimetz (Tiny Furniture and Sundance Film Festival 2013 films Upstream Color and Pit Stop), Sun Don’t Shine was nominated for the “Best Film Not Playing” category at IFP’s Gotham Independent Film Awards in 2012 and was produced by Kim Sherman, a member of last year’s edition of “25 New Faces” here at Filmmaker. Sun Don’t Shine follows Crystal (Kate Lyn Sheil) and her boyfriend Leo (Kentucker Audley) on a tense and mysterious road trip […]
by Billy Brennan on Jan 16, 2013If you’re in New York this weekend head over to the Museum of Modern Art for the museum and Filmmaker‘s annual screenings of the nominees for our “Best Film Not Playing at a Theater Near You” Gotham Award. Playing are Terence Nance’s wildly inventive doc/fiction relationship deconstruction, An Oversimplification of her Beauty (pictured); Amy Seimetz’s psycho-noir romance, Sun Don’t Shine; Alex Karpovsky’s real-life filmmaker comedy, Red Flag; the Zellner Brothers darkly humorous metaphysical exploration, Kid-Thing; and Frank V. Ross’s subtle and affecting relationship drama, Tiger Tail in Blue. I’ll be joining Nick Dawson, Alicia Van Couvering, MoMA’s Josh Siegel and […]
by Scott Macaulay on Nov 16, 2012I’ve had wind of this for a while, via both filmmaker Kentucker Audley and programmer Miriam Bale (who has a feature on Beasts of the Southern Wild in our current issue), but now the news is public. On September 14 and 15, the 92Y Tribeca will host the first La Di Da film festival, which takes a look at the recent work of a group of post-Mumblecore figures, including Amy Seimetz, the Safdies, Sean Price Williams, Dustin Guy Defa, Alex Karpovsky, Kate Lyn Sheil, Eléonore Hendricks and Audley. In the press release explaining the genesis of the event, Bale says, […]
by Nick Dawson on Jul 23, 2012