Sundance Film Festival 2018
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“The World’s Most Dangerous Myth – that we Need Meat to Be Strong”: Director Louie Psihoyos | The Game Changers
As you made your film during the increasingly chaotic backdrop of the last year, how did you as a filmmaker control, ignore, give in to or, conversely, perhaps creatively exploit the wild and unpredictable? What roles did chaos and order play in your films? We were making a film about how a plant-based diet might improve performance in elite athletes by improving blood flow, reducing inflammation and decreasing recovery time. It turns out that these advantages in athletic performance are caused by the same mechanisms that affect our overall health. In the middle of filming, our main subject’s father had […]
by Filmmaker Staff on Jan 27, 2018 -
“My Goal Was to Make More than Just Pretty Pictures or Just Cover Scenes”: DP Denson Baker on Ophelia
Cinematographer Denson Baker’s recent projects have included the award-winning New Zealand drama The Dark Horse, the Oliver Stone-produced documentary Ukraine on Fire and the 2009 India-set romance The Waiting City. That last film was directed by Claire McCarthy, Baker’s wife and the director of Ophelia. Ophelia, which screens at the 2018 Sundance Film Festival, casts Daisy Ridley, Naomi Watts and Clive Owen to reframe Shakespeare’s Hamlet from the perspective of the ill-fated Ophelia. Baker speaks with Filmmaker below about the key paintings that influenced the film, collaborating with his wife and capturing the film’s tricky opening shot. Filmmaker: How and why did you wind […]
by Filmmaker Staff on Jan 27, 2018 -
“A Fresh, Intimate Glimpse of Ruth Bader Ginsburg’s Life”: Editor Carla Gutierrez on RBG
Carla Gutierrez began her career as a documentary editor in 2006 on Iraq for Sale: The War Profiteers. She has since edited the Oscar-nominated short La Corona, the Emmy-nominated feature Reportero and When Worlds Collide, which won the Special Jury Prize for Best Debut Feature at Sundance in 2016. She returns to the festival having edited RBG, a documentary on Supreme Court Justice Ruth Bader Ginsburg from directors Betsy West and Julie Cohen. Gutierrez speaks with Filmmaker below about blending new and archival interviews and how RBG is a “love story of a woman who strived to accomplish great things and the man who […]
by Filmmaker Staff on Jan 27, 2018 -
“A Tsunami of #metoo Accusations Ensued”: Directors Sophie Sartain and Roberta Grossman | Seeing Allred
As you made your film during the increasingly chaotic backdrop of the last year, how did you as a filmmaker control, ignore, give in to or, conversely, perhaps creatively exploit the wild and unpredictable? What roles did chaos and order play in your films? Seeing Allred is a film with two threads: one biographical and the second a vérité unfolding of contemporary events, including the Cosby story and the Trump election. The biographical story, although complex and fascinating, was well behaved and stayed put. The contemporary thread was more chaotic and not neatly resolved. We thought we would be following […]
by Filmmaker Staff on Jan 27, 2018 -
“I Am Very Sensitive to the Needs of the Performance Artist”: DP Ava Porter on Narcissister Organ Player
Multidisciplinary artist Ava Porter was one of four people to serve as a cinematographer on Narcissister Organ Player. The film, which premieres at the 2018 Sundance Film Festival, is the work of performance artist Narcissister, who has in recent years received profiles in the New York Times, Vice and Huffington Post for her provocative work. Below, Porter discusses her experience as one of the shooters on the genre-defying Narcissister Organ Player. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Porter: Narcissister needed someone […]
by Filmmaker Staff on Jan 27, 2018 -
“We Tried to Avoid Making an Emotional and Psychologically Engaging Film”: DP Nadim Carlsen on Holiday
Danish cinematographer Nadim Carlsen has shot more than 20 music videos, commercials, shorts and features since 2009. In recent years he served as DP on the horror film Shelley, which screened at Berlin and CPH:PIX, and What Will People Say, which played at TIFF and IFFR. Carlsen went to film school with Isabella Eklöf, the director and cowriter of the provocative Holiday. Ahead of the film’s five screenings at Sundance, Carlsen spoke with Filmmaker about his use of static long takes and why he and Eklöf sought to create glossy images that “contradict the dark and dramatic content” of the […]
by Filmmaker Staff on Jan 27, 2018 -
“Documentary Is All about Trying to Divine Order from Chaos”: Director Tim Wardle | Three Identical Strangers
As you made your film during the increasingly chaotic backdrop of the last year, how did you as a filmmaker control, ignore, give in to or, conversely, perhaps creatively exploit the wild and unpredictable? What roles did chaos and order play in your films? Documentary is all about trying to divine order from chaos – be it finding a coherent retrospective story within five conflicting accounts of the same event, or hoping that something (anything!) with emotional or narrative substance will happen on your vérité shoot. On this film the struggle between chaos and order was exacerbated by our physical […]
by Filmmaker Staff on Jan 27, 2018 -
“The Chaos Grew into Something So Beautiful”: Director Crystal Moselle | The Skate Kitchen
As you made your film during the increasingly chaotic backdrop of the last year, how did you as a filmmaker control, ignore, give in to or, conversely, perhaps creatively exploit the wild and unpredictable? What roles did chaos and order play in your films? A year ago I was just trying to find the money to shoot this film. I had no script but a great idea. I knew the film had to be shot ASAP because my subjects were quickly growing up and that magical age from 17-19 was about to be lost. I was so determined to make […]
by Filmmaker Staff on Jan 27, 2018 -
“I Was Aiming for a Stylized Naturalism”: DP Nanu Segal on An Evening with Beverly Luff Linn
EU-based cinematographer Nanu Segal has shot more than 30 shorts and features since 2001. She’s also DP’d commercial spots for UNICEF, Playstation and a host of other clients. Her latest project is An Evening with Beverly Luff Linn starring Aubrey Plaza and Emile Hirsch. The film marks a return to Sundance for director Jim Hosking, who premiered his debut film The Greasy Strangler at the festival in 2016. Below, Segal discusses lighting the film’s key locations and the influence of Ali: Fear Eats the Soul on the film. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and […]
by Filmmaker Staff on Jan 27, 2018 -
“I’m a Firm Believer in the Card Wall”: Viridiana Lieberman on Editing The Sentence
In 2017, Viridiana Lieberman had two documentaries premiere at the Tribeca Film Festival: I Am Evidence, a feature on police departments’ handling of sexual assault cases, and Love the Sinner, a short on the Orlando nightclub shooting of 2016. She begins 2018 having edited The Sentence, which premieres in competition at the Sundance Film Festival. The Sentence tells the story of director Rudy Valdez’s sister Cindy, a woman who received a draconian 15-year prison sentence for crimes committed by her deceased ex-boyfriend. Below, Lieberman speaks with Filmmaker about why editing “this film has become one of the most powerful experiences of my life.” Filmmaker: […]
by Filmmaker Staff on Jan 27, 2018
