With Aftershock, Paula Eiselt and Tonya Lewis Lee turn their camera toward the crisis of the maternal mortality as it affects Black women in the United States. The film focuses on two widowers whose partners died preventable deaths during childbirth as they build support and rally for justice. Below, cinematographer Jenni Morello discusses the challenges of shooting a vérité when everyone is masked and the search for something unusual in every shot. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this […]