The Sundance Institute has released the films screening in the out-of-competition sections of the Sundance Film Festival and have announced that the closing night film will be Dito Montiel‘s The Son of No One (pictured right). The film, set in a post-9/11 New York, follows two men as their lives unravel due to incidents from their past. It stars Channing Tatum, Al Pacino, Katie Holmes, Tracy Morgan, Ray Liotta and Juliette Binoche. Other highlights from the list include George Ratliff‘s Salvation Boulevard, Morgan Spurlock‘s The Greatest Movie Ever Sold, Joshua Leonard‘s The Lie (which will play in the fest’s NEXT […]
by Jason Guerrasio on Dec 2, 2010The Sundance Institute announced today the competition films for its 2011 edition of the Sundance Film Festival. At first glance, it looks like an exciting list with quite a few filmmakers we follow here at the magazine premiering their work, including Rashaad Ernesto Green’s Gun Hill Road, Sean Durkin’s Martha Marcy May Marlene, Andrew Okpeaha MacLean’s On the Ice, Dee Rees’ Pariah, Azazel Jacobs’ Terri and Marshall Curry’s If a Tree Falls: A Story of the Earth Liberation Front to name just a few. In the release sent out today, festival director John Cooper commented, ““The Festival is a challenge […]
by Jason Guerrasio on Dec 1, 2010The Sundance Institute announced its 12 Documentary Film Fellows and their five projects in the seventh Documentary Edit and Story Laboratory. Taking place from June 19-27 at a resort in Sundance, Utah, this Lab supports visionary filmmakers and their projects. Fellows are selected from a pool of 60 active, Sundance-funded documentary projects. Lab Fellows are: Ra’anan Alexandrowicz (Directing Fellow), Michael Collins (Directing Fellow), Heather Courtney (Directing Fellow), Ramona Diaz (Directing Fellow), Ron Goldman (Editing Fellow), Kyle Henry (Editing Fellow), Stephen Maing (Directing Fellow), Leah Marino (Editing Fellow), Eric Daniel Metzgar (Editing Fellow), Jonathan Oppenheim (Editing Fellow), Trina Rodriquez (Editing Fellow), […]
by Jaimie Stettin on Jun 25, 2010The Sundance Institute has announced the inaugural Shortslab: LA, a three-part, all-day workshop that will offer filmmakers inside guidance through the development, production, and exhibition of short films. Shortlabs: LA will be held Saturday, July 31st at the Downtown Independent Theater (251 South Main Street) in Los Angeles. Tickets are $150. For information or to purchase tickets visit: www.sundance.org/shortslab Here is the workshop schedule: Story Development (9:30 a.m. – 12:00 p.m.): Acclaimed filmmakers including Sundance Film Festival alumni share their experiences working with short-form during their careers. These tales from the trenches will focus on conceptualization and script development. Participants […]
by Jaimie Stettin on Jun 22, 2010At The Film Stage, Kristin Coates has a long and impressively detailed take on the early days of the Sundance Institute and Festival, tracing the social, political and industry currents that lead to the formation of what is now one of the dominant institutions in the world of independent film. The Directors Lab is currently unfolding at Redford’s Sundance Institute in Utah, and Coates’ article is not only a timely tale of Sundance but also a history of the transition from the “New Hollywood” of the mid-’70s to a self-identifying American independent film movement that gathered steam in the ’80s. […]
by Scott Macaulay on Jun 12, 2010If you pick up the new issue of Filmmaker, you’ll notice by reading our cover articles on Miranda July and her first feature, Me and You and Everyone We Know, the large role the Sundance Institute had in developing that film and supporting its production. July’s film was a Summer 2003 Sundance Lab project and it went to become a hit at the Sundance Film Festival and will open from IFC Films this June. And then there’s another Lab project I’m very interested in — David Jacobson’s Down in the Valley, which I thought was an amazing script and which […]
by Scott Macaulay on Apr 27, 2005Producer Matthew Greenfield, whose credits include Miguel Arteta’s features Star Maps, Chuck and Buck, The Good Girl and this year’s Sundance-bound The Motel recently became the Associate Director of the Feature Film Program at Sundance Institute, but he emailed the other day to tell us about his new non-film venture. He and writer Laurence Dumortier have launched Cloverfield Press, “a boutique publishing house dedicated to bringing new literary and artistic voices to a discerning public.” Graphic design is an important component of the press’s mission statement: “We hope to create books as visually beautiful as they are intellectually and emotionally […]
by Scott Macaulay on Dec 5, 2004