I’m sure I’m not the only person who wondered why the Sundance Institute and Women in Film Los Angeles needed to spend who-knows-how-much money and time to study whether women are getting a fair shake in the independent film world. The answer has two letters, and it starts with “n.” Am I right, ladies? Nevertheless, they went ahead with the research, and the resulting 43-page report, “Exploring the Barriers and Opportunities for Independent Women Filmmakers,” was released in January. Spoiler alert: The news is not good. While independent film has a higher percentage of women behind the lens, compared to mainstream […]
by Mikki Halpin on Apr 23, 2013Keri Putnam, Executive Director of Sundance Institute, announced today that the Institute’s Artist Services program – which provides Institute artists with exclusive opportunities for creative self-distribution, marketing and financing solutions for their work –has expanded to include selected films supported by one foundation and five nonprofit organizations. Additionally, these organizations will join with Sundance Institute in continuing to shape the program and the services it offers. The Bertha Foundation, BRITDOC, Cinereach, Film Independent, the Independent Filmmaker Project and the San Francisco Film Society will each select films that they have supported to receive access to best-in-class digital distribution arrangements that […]
by Billy Brennan on Jan 18, 2013Sundance Institute has selected 12 projects for its 2013 January Screenwriters Lab, an immersive, five-day (January 11-16) writers’ workshop at the Sundance Resort in Utah. Participating independent screenwriters will have the opportunity to work intensely on their feature film scripts with the support of established writers including Marcos Bernstein, D.V. DeVincentis, Michael Goldenberg and Erin Cressida Wilson. The 2013 Lab is dedicated to the memory of Frank Pierson (1925-2012), a founding creative advisor of the Feature Film Program. Keri Putnam, Executive Director of Sundance Institute, said, “Across all Sundance Institute Labs, which include offerings for various forms of artistic expression, […]
by Filmmaker Staff on Dec 17, 2012Distribution veteran Paul Federbush has been named International Director, Feature Film Program, at the Sundance Institute. Through his work at a number of companies over the years, Federbush is well known in the independent community. Most recently, Federbush formed the distribution company Red Flag Releasing with Laura Kim, and previously he was Senior Vice President of Acquisitions and Production at Warner Independent, where he developed such projects as Danny Boyle’s Slumdog Millionaire, and Hany Abu Assad’s Paradise Now. From the press release: In his new role, Federbush is responsible for the planning and execution of the international work of Sundance […]
by Scott Macaulay on Sep 11, 2012The Sundance Documentary Edit and Story Labs took place earlier this month, and director Roger Ross Williams — attending with his film, God Loves Uganda, described as “a journey into the heart of East Africa, where Ugandan pastors and their American counterparts spread God’s word and evangelical values to millions desperate for a better life” — wrote the following blog post about his experiences there. Alfred Hitchcock said, “In feature films the director is God; in documentary films God is the director.” Yes — and it doesn’t help when God is also the subject. Setting out to make a doc on […]
by Roger Ross Williams on Jul 24, 2012This week, Sundance Institute announced its 2012 participants in the Creative Producing Initiatives. The week-long program begins with two concurrently-running Creative Producing Labs (July 30-Aug. 3)—the Feature Film Program and the Documentary Film Program and Fund—before capping off with the Creative Producing Summit (Aug. 3-5). Keri Putnam, Executive Director of Sundance Institute, said, “Sundance Institute is committed to supporting emerging independent film producers, and our Creative Producing Initiative is a rare opportunity for them to sharpen their creative instincts, evolve their problem-solving skills, and deepen their knowledge of the distribution landscape. In doing so, they are better equipped to successfully […]
by Billy Brennan on Jul 17, 2012In 2009, I interviewed Antonio Campos about his debut feature, After School, which was then about to be released. At the time, he had dropped out of NYU just before graduating, was doing promo content for Bloomingdales, and faced something of an uncertain future as a filmmaker. Three years on, Campos and his partners at Borderline Films, Josh Mond and Sean Durkin, are riding high; below they talk to actor/comedian Chris Gethard about their road to success.
by Nick Dawson on Jul 12, 2012(Beasts of the Southern Wild world premiered at the 2012 Sundance Film Festival, where it won the Narrative Grand Jury Prize, as well as Best Cinematography for Ben Richardson. It also won the Camera d’Or at the 2012 Cannes Film Festival. It is being distributed by Fox Searchlight and opened theatrically on June 27, 2012. Visit the film’s official website—as well as the virtual home base of the Court 13 collective—to learn more.) I want to make this immediately, abundantly clear. Perhaps more than any other review I’ve ever written, this one is coming from the pained perspective of a […]
by Michael Tully on Jun 28, 2012Conflict-of-interest note: As most of you know, I produce films in addition to editing Filmmaker. Others on our team do as well. “By filmmakers, for filmmakers,” our marketing tagline has long been, and I like to think that our experience gives the magazine insight as well as strong bullshit detector. Being aware of my multiple hats, however, I generally exclude projects I produce from the magazine and site. That’s why you’ve never read about films like Off the Black, Saving Face and Raising Victor Vargas in Filmmaker. (Sorry, directors!) But when it comes to the following story of interest to […]
by Scott Macaulay on Jan 20, 2012Did you miss the Filmmaker Conference at Independent Film Week last month? Me too – I managed to catch a few panels, but I spent most of the week running around, working, and attending other IFW events (as evidenced by my photo blogs here, here, and here). Luckily, IFP will streaming the entire conference available to members. One new video will be added to ifp.org every weekday this month. Membership levels start at $35, which for roughly 30 hours of film industry education (and tons of other benefits) is not a bad deal. One video is already online – a […]
by Jane Schoenbrun on Oct 14, 2011