Director Laura Moss’s feature debut birth/rebirth is laden with horror references, which was a principal reason for editor Taylor Mason vying for the gig. The film is essentially a modern retelling of Mary Shelley’s Frankenstein, with an overtly femme twist. It follows Celie (Judy Reyes), a maternity nurse who experiences a sudden tragedy, and Rose (Marin Ireland), a brilliant (if somewhat anti-social) pathologist, form an unlikely bond over the latter’s experimental reanimation process. As their friendship develops, they both reassess their respective moral compasses—shocking each other, and themselves, in the process. Mason spoke with Filmmaker about the film’s myriad horror […]