In light of The Act of Killing‘s upcoming screening in MoMA’s The Contenders series, I thought to share an interview in which Joshua Oppenheimer discusses how repression and restrictions shaped the evolution of the film’s groundbreaking narrative. Originally setting out to capture the Indonesian genocide from the survivors’ perspective, Oppenheimer quickly realized that constant military interference was throwing a wrench in his work. Drifting in and out of jail with his crew, Oppenheimer began to follow the victims’ suggestion that he film purported perpetrators, in the interest of obtaining information that may bring them closure. Within minutes of meeting the men in […]
by Sarah Salovaara on Nov 5, 2013Banging away on Twitter, does Errol Morris have a point? Or does he just need another scotch and water? Friday night, respected filmmaker Errol Morris fired off two quick tweets. Morris and Werner Herzog are the executive producers of The Act of Killing, which had its New York theatrical opening on Friday. In Friday night’s tweets Morris seemed annoyed and confused — actually, pissed and baffled. The two tweets were posted at 10:51 and 10:53 (EST): errolmorris @errolmorris Tired of hearing people complain that “The Act of Killing” does not provide enough background, historical context, etc. errolmorris @errolmorris Hey, read a book. Wait, aren’t […]
by Stewart Nusbaumer on Jul 22, 2013In Medan, Indonesia, when the government was overthrown by the military in 1965, Anwar Congo was one of many small-time gangsters who hawked movie tickets and plotted petty crimes in front of cinemas showing American movies. He and his buddies, who translate “gangster” as meaning “free men,” were enlisted as death squads after Communists cut off imports of U. S. films, such as their beloved Elvis Presley musicals. More than a million intellectuals, ethnic Chinese and alleged Communists and leftists were murdered. The “movie theater gangsters” were always eager to dance across the road to garrote an alleged Communist or […]
by Ray Pride on Apr 23, 2013The Act of Killing, Joshua Oppenheimer, Christine Cynn and Anonymous’s jaw-dropping tale of war crimes, guilt and moviemaking, took the top prize at CPH:DOX here in Copenhagen Friday night. The film, pictured above, boasts Werner Herzog and Errol Morris as executive producers and follows a group of former death squad leaders as they make Hollywood-style movies based on their murders of communists, ethnic Chinese and intellectuals following Indonesia’s military coup in 1965. Director Edwin (Postcards from the Zoo) presented the award and read the jury’s statement: “The Jury would like to award a film for its ability to show the […]
by Scott Macaulay on Nov 10, 2012