Twisty as a Hitchcock movie but not a thriller, Steven Soderbergh’s The Christophers is a two-hander for two great actors. Michaela Coel plays Lori Butler, a serious painter with a side gig as an art forger. Ian McKellen plays Julian Sklar, an art world star in the 1960s and ’70s who hasn’t made any work of note in decades. Julian’s children, who hate him, concoct a scheme in which Lori is smuggled into Julian’s dilapidated five-story house as a temporary assistant. She is tasked with finding “The Christophers,” a series of portraits that Julian began in his prime but never finished. If […]
by Amy Taubin on Apr 7, 2026
Steven Soderbergh’s films routinely fixate on money—who has it, who doesn’t, what (illegally) acquiring it says about personal status and national identity within global capitalism. So, it’s mildly surprising he hasn’t set a film in the contemporary art world prior to The Christophers, though previous works deployed visual art for character definition (Laura San Giacomo’s character in sex, lies, and videotape is a painter) or as a plot engine (the Imperial Coronation egg as Ocean’s Twelve’s MacGuffin). In his latest two-hander, artmaking serves as a dramatic foundation for extended badinage about creative expression as an imperfect vehicle for immortality. The […]
by Vikram Murthi on Sep 19, 2025