The Return
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Fact and Constructed Fictions in the Bright Future Section of the International Film Festival Rotterdam
What is film but a desire to make visible that which we cannot see? Love. Hate. Or in the case of the latest from Penny Lane, pain. After having bowed at the International Film Festival of Rotterdam before, Lane’s return to the Bright Future section with the world premiere of The Pain of Others isn’t a surprise, but she’s certainly earned her place there. The found-footage, experimental doc, which despite being compiled of YouTube videos and newsreels, feels dense enough to require a dissertation on delusion, suffering and this digital age. Working in a similar form to the all-archival constructed […]
by Kiva Reardon on Feb 18, 2018 -
SUNDANCE ANNOUNCES JURY PRIZES IN SHORT FILMMAKING
At a ceremony last night, Sundance announced this year’s short film prize winners. The 2012 shorts jury, which included Beavis and Butthead creator Mike Judge, Pariah director Dee Rees, and TIFF public program director Shane Smith, narrowed down the sixty-four shorts currently playing at the festival to six winners. The big winner was Cutter Hodierne’s fictional Somali pirate expose Fishing Without Nets, which took home the Jury Prize in Short Filmmaking. Meanwhile, Ben and Josh Sadie’s (Daddy Longlegs) The Black Balloon was awarded the US Fiction Prize while Kosovo filmmaker Blerta Zeqiri’s The Return (Kthimi) won the International Fiction Prize. The […]
by Jane Schoenbrun on Jan 25, 2012 -
SHORTS PROGRAM II: EVALUATING RELATIONSHIPS YOUNG, OLD, AND NEW
The films that make up Sundance’s Shorts Program II all address issues of basic intimacy and loneliness. Whether telling the story of a homecoming between wife and husband, an unexpected encounter with a stranger, or in one case, the way technology’s interference in everyday life renders a relationship unidentifiable, these young filmmakers are all attempting to understand emotions that still remain mysterious. Take Brie Larson, Sarah Ramos, and Jessie Ennis’ The Arm, for example. The film begins misleadingly. A narrative seemingly about a power struggle between two male teenage friends turns quickly into a darkly humorous depiction of a subject […]
by Alexandra Byer on Jan 23, 2012 -
TORONTO 2011: “WAVELENGTHS” PART II
The adventurous Wavelengths experimental film programs at the Toronto International Film Festival, curated first by Susan Oxtoby and then, in recent years, by Andréa Picard, are a true festival highlight. 2011 was exemplary in this regard, its five experimental programs marked by a diverse range of aesthetics and artistic projects. An eerie mood pervades the smart, surprising Sea Series #10 by John Price, one of the only films in the 2011 Wavelengths experimental program at the Toronto International Film Festival explicitly inspired by world events. An intertitle explains that the film was made “10,190 km from Fukushima” on May 21, 2011, two months after the deadly Japanese […]
by Livia Bloom Ingram on Sep 20, 2011
