TIFF Critic’s Notebook 6: Yourself and Yours, Safari
Prior to arriving for my first TIFF, I’d been told the only films you needed to show up early for were those with either celebrities or “awards season buzz,” and this has proven to be completely true. Most P&I screenings appear to be occupied by buyers who arrive late and leave early. For sheer impatience, perhaps no one will beat the guy who entered The Human Surge five minutes late, gave it two, and then bounced, but there’s been heavy competition for worst manners: I’m particularly anti-fond of the guy who spent a portion of Ulrich Seidl’s Safari reading Yelp reviews before presumably heading out […]
by Vadim Rizov on Sep 15, 2016