If you’re a fan of Victorian anthropomorphic tableaux then Walter Potter needs no introduction. For those not in the know (and in NYC), head over to this year’s Tribeca Film Festival where Walter Potter: The Man Who Married Kittens screens starting April 18th. This fascinating documentary short is the brainchild of Brooklyn filmmaker (and connoisseur of the strange) Ronni Thomas, who tackles his titular subject – an English taxidermist who died nearly a century ago after founding a museum dedicated to his whimsical and unsettling dioramas – via five modern-day Potter enthusiasts. From taxidermied cats having a tea and croquet […]
by Lauren Wissot on Apr 18, 2015Alma Har’el’s 2011 Bombay Beach is one of the most striking feature debuts of any sort, fiction or doc, in recent years. In writing about the film and Har’el for our 25 New Faces of 2011, I called it “not only a loving, deeply empathetic portrait of the diverse characters who make up the town” (a small burg in the Salton Sea) “but also a beautifully poetic cinematic essay on the power — and necessity — of play and self-invention.” Bombay Beach, shot largely by Har’el herself on a handheld, $600 Canon consumer video camera, had style to burn, and […]
by Scott Macaulay on Apr 17, 2015Set in the not-too-distant future, Carleton Ranney’s debut feature Jackrabbit observes two young hackers living in City Six, a dystopian urban environment still recovering from The Reset, an event which caused the city to literally go back to square one. Interacting with the outside world via computers and video game systems that go back to user-friendly technology’s infancy (we’re talking pre-Pong), Simon and Max attempt to uncover the secret of a mutual friend’s murder, while fighting to escape City Six and the police/surveillance state they’ve grown accustomed to. An Orwellian fable, Jackrabbit is steeped in political paranoia and a fascination with the impersonal implications of a corporatized America. […]
by Erik Luers on Apr 17, 2015Hats off to director Zachary Treitz and co-writer Kate Lyn Sheil for sidestepping the more introspective, resource heavy trends of much contemporary independent filmmaking, and swinging for the fences with their Civil War period piece, Men Go To Battle. Set in 1861 Kentucky, the brothers Francis and Henry Mellon (Tim Morton and David Maloney) are desperate to scare up some funds for their overgrown farm before winter arrives, but the pair’s constant quarreling is a hindrance to much progress. Eventually fed up with Francis’ heavy drinking and general flippancy, Henry takes off to join a far more populated battle amidst the Confederate army. […]
by Sarah Salovaara on Apr 17, 2015Story. Storytelling. Experience. Community. Story, story, story! Talk to the heads of the Tribeca Film Festival and its programmers, and you’ll soon pick up on the event’s messaging this year. A festival that, as Robert DeNiro said at yesterday’s press lunch, was originally intended to be a “one-time thing” is now something of a New York institution. But it continues to evolve. At a sit down earlier in the week, Festival Director Geoff Gilmore, Tribeca Enterprises Executive V.P. Paula Weinstein and senior programmer Cara Cusamano spoke of today’s film viewing and festival landscape — how we are in, as Tribeca […]
by Scott Macaulay on Apr 16, 2015Rounding out this week’s program announcement for the 2015 Tribeca Film Festival are the Spotlight and Midnight Sections, along with a handful of Special Screenings and Works-in-Progress. The Spotlight selection includes several world premieres, such as Tim Blake Nelson’s Anesthesia; Thought Crimes, directed by Erin Lee Carr, daughter of the late, great David; David Gelb’s A Faster Horse; as well as Sundance banner titles Sleeping With Other People, Cartel Land, The Overnight, Slow West, Drunk Stoned Brilliant Dead, and more. The festival is also presenting a Special Screenings section, full of “eventized” affairs, like the world premiere of Mary J. Blige – The London Sessions, followed by […]
by Sarah Salovaara on Mar 5, 2015The Tribeca Film Festival today announced the first half of its 2015 slate — 51 of the 97 films, including both its World Narrative and Documentary competitions. Nearly one quarter of this year’s festival directors are women, including quite a few directors with titles anticipated by Filmmaker readers. These include cinematographer Reed Morano’s directorial debut, Meadowland; Pamela Romanowsky’s adaptation of Stephen Elliot’s true-crime memoir, The Adderall Diaries; Rikki Stern and Annie Sundberg’s latest, In My Father’s House; Vanessa Hope’s look at China’s role on the world stage through the story of former Utah governor Jon Huntsman and his adopted daughter, […]
by Scott Macaulay on Mar 3, 2015