The devastation that the “Great Recession” has wrecked on the California exurbs resonates through the backdrop of Tristan Patterson’s fascinating study of a peculiar California skating subculture in Dragonslayer. Focusing his representation mostly on the drug and alcohol addicted daredevil skater punk Josh Sandoval, nicknamed “Skreech,” Patterson’s doc searches the lives of this talented, troubled young man and his makeshift family of itinerant skaters with tremendous aesthetic grace and ideological empathy; finding great beauty in the suburban wasteland of derelict homes and pools that become their refuge from a largely unforgiving world. With a skating style all his own, Skreech launches […]