On a wet Saturday in May, about 100 people gathered in a hotel ballroom for the Boston stop of Vincent Laforet’s Directing Motion tour. This daylong event, with an optional evening session, promised to teach all levels of filmmakers the cinematic language of motion. Laforet started by saying that he was going to ruin cinema for us, and proceeded to show a clip without audio. “It’s never, ever moving the camera because the camera should move,” he said. The event is structured in two parts: a daytime workshop that runs from 9:00 am to 4 pm, and an evening seminar […]
by Michael Murie on May 23, 2014In conjunction with his workshop tour, commercial director-d.p. Vincent Laforet has been making the publicity rounds, conducting interviews with several outlets, including our own Michael Murie. In the majority of these discussions, Laforet emphasizes the importance and motivation of camera movement. “Generally speaking, in modern cinema,” he told Murie, “you rarely see stationary cameras. Audiences want to see movement, and it’s really important to have dynamic movement to retain people’s attention.” Such a sentiment is more or less ripped straight from the Hollywood rulebook: the more visually dazzling (booming, parallax, etc.) a story can be, the better it is. In the majority of […]
by Sarah Salovaara on May 15, 2014On December 2nd, 2012, filmmakers from as far away as Canada, Croatia, Tanzania, Switzerland, and Brazil converged in downtown Austin, Texas for Masters in Motion, a three-day immersive filmmaking workshop, held annually at the world-famous Alamo Drafthouse on 6th Street. Despite having a Canon C500, C300, C100 and an array of DSLRs from Lens Pro To Go on hand, in addition to the Phantom Flex and TS3 Cine provided by Rule Boston Camera, the vibe of the event was summarized perfectly in this tweet: “@niceladypro Refreshing going to a 3 day filmmaking workshop where people don’t talk about the camera […]
by Jon Connor on Jan 7, 2013At a press event in Los Angeles tonight, Canon announced two new digital cinema cameras aimed at filmmakers, the EOS C300 and the C300 PL (the latter differing by way of a PL mount). Canon CEO Fujio Mitarai said that the company wanted to “leave no story untold” as he unveiled a camera with a small form factor, an 8.3MP 2160 x 3840 Super 35 CMOS sensor with 4K resolution, and new lenses that resolve to this higher resolution. Martin Scorsese was on hand at the event to hail digital cinema and extoll the promise of the cameras. This promise […]
by Scott Macaulay on Nov 3, 2011